UBC Opera stages Prodaná nevěsta (The Bartered Bride), November 28 to December 4
Smetana’s lively comic opera centres on two young lovers determined to marry against all odds
UBC Opera’s 2014 production of The Bartered Bride. Photo by Tim Matheson
UBC Opera presents Prodaná nevěsta (The Bartered Bride) in collaboration with the Opera West Society from November 28 to December 4 in the Old Auditorium.
Featuring music by Bedřich Smetana and libretto by Karel Sabina, this lively three-act comic opera is sung in Czech with English surtitles.
Prodaná nevěsta celebrates love, wit, and national spirit. Set in a Czech village, the story centres on Mařenka and Jeník, two young lovers determined to marry despite the schemes of Mařenka’s ambitious parents. Believing Jeník to be poor, they agree to marry her to Vašek—the shy, awkward son of a wealthy landowner—in an arrangement by the calculating marriage broker Kecal.
Jeník appears to betray Mařenka by accepting payment to renounce his claim to her. However, he cleverly inserts a condition into the contract: Mařenka may marry only “the eldest son of Micha”, her intended father-in-law. Unknown to everyone, Jeník is Micha’s long-lost elder son from an earlier marriage, making him the true heir and the only man who fulfills the agreement. Kecal realizes too late that he has been outwitted.
Meanwhile, Vašek—who is briefly lured by the beautiful dancer Esmeralda into joining a travelling circus—makes a last-minute appearance as the Bear. His very brief career in the circus is abruptly ended by his mother, Hata.
UBC Opera’s 2014 production of The Bartered Bride. Photo by Tim Matheson
After much confusion, deceptions, and misunderstandings, this peculiar situation is resolved when Jeník reveals his identity, winning the respect of Mařenka’s parents. The lovers are united, Kecal’s plans collapse, and the village celebrates with music and dancing. Rich in memorable folk-inspired melodies, humour, and vibrant ensembles, Prodaná nevěsta remains Smetana’s best-loved opera and a cornerstone of the Czech operatic tradition.
UBC Opera’s upcoming production is helmed by conductor Norbert Baxa and director Anna Theodosakis, featuring members of the Vancouver Opera Orchestra. Performances take place at 7:30 pm on November 28 and December 3 and 4, and at 2 pm on November 29.
Tickets can be purchased online at tickets.ubc.ca or by phone through the Chan Centre Ticket Office at 604-822-2697. Ticket office hours vary—folks can call the number to hear the most up-to-date hours.
Post sponsored by UBC Opera.
Related Articles
Smetana’s lively comic opera centres on two young lovers determined to marry against all odds
The project’s success should allow the double bassist and composer—who kicks off Music on Main’s 2026–27 season—to turn down more gigs as a hired sideman
The 1980s-themed party includes a free-play arcade, a pop-up tattoo parlour, and live performances by Trauma Novelle, Reveal Yourself, and Devours
Annual Christmas concert features compositions by Shireen Abu-Khader, Srul Irving Glick, Marie-Claire Saindon, and Stephen Smith
Led by director Greg Caisley, concert features 60-voice choir, orchestra, and four outstanding soloists
Season opener, coproduced with Pacific Opera Victoria, features a strong central trio of singers and striking lighting and sets
Vocals, movement, and lighting meet in a bold reimagining of David Lang’s Pulitzer Prize–winning choral composition
Offerings spans queer cinema, live electronic music, and dance throughout this multidisciplinary collaboration between six emerging curators
Award-winning performer, composer, and producer leads a project that blends blues, gospel, hip hop, and griot traditions
The Cree-Dene composer’s new work joins a program aimed at instilling calm, bliss, and joy
As part of the Downtown Eastside Heart of the City Festival, the new show nods to Mexico’s Día de los Muertos and similar traditions from other countries
Baroque masters William Christie and Paul Agnew lead the vocal ensemble in a revelatory program devoted to the lauded Italian composer
Featuring contemporary and canonical pieces, the acclaimed ensemble’s program at the Kay Meek Arts Centre reflects dedication to creating space for emerging and marginalized voices
The American pianist’s project is part of her ongoing engagement with the work of post-abstract expressionist painter Cy Twombly
Director Brenna Corner dove deep into history to flesh out the corruption that surrounds a tragic character who lives life on her own terms
Isabel Leong and her 18-piece band play scores by Ghibli composer Joe Hisaishi—but they don’t simply re-create the music of the films
Grammy-nominated composition draws on poetry to honour species that have vanished from the natural world
As part of Vancouver New Music’s festival, the acclaimed percussionist relies on a traditional Japanese spirit of harmony that allows Reich’s precise patterns to breathe
