At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
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Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
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Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
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Samoan poet Grace Iwashita-Taylor describes working with accomplished director Fasitua Amosa to honour the stories, struggles, and joys of a vast and diverse region
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Abrasive production by award-winning playwright Caroline Bélisle depicts the paralyzing anxiety that can come with motherhood
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Tracey Power’s new show features songs by Joni Mitchell, Neil Young, Gordon Lightfoot, and other folk icons
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The Arts Club and Theatre Calgary coproduction focuses on a disgruntled husband who plots to kill his wife when he finds out she’s cheating
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Drawing on everything from absurd comedy to cabaret, Leah Shelton ties family tragedy to a system that still pathologizes women as “hysterical”, “high-strung”, or god forbid, “hormonal”
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In The Cultch, PuSh Fest, and Live Biennale copresentation, technicolour visuals complemented Hazel Venzon’s larger-than-life energy in a ride that spoke directly to today’s global economy
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At PuSh International Performing Arts Festival, the Creepy Boys duo who created and perform the show, want to make sure it’s about nothing, nothing, nothing, except fun, fun, fun
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With strong performances and set design, Mark Crawford’s dramedy relives a marriage’s milestones on a lived-in cottage’s cosy front porch
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The London-based performer reveals the struggle and growth behind the bold, disarming visions of their latest show, now on its way to PuSh Festival
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In her show titled it is for when you meet me, the creator and performer explores what it means to give and receive through the Filipino tradition of pasalubong and balikbayan boxes
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In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
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Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
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Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
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Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
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In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
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Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
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Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
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