In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
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The company has plans for a captivating array of shows, from high-profile hits like Stuart Little to the moving true-life tale of Jordan, A Hero’s Journey Home
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Musical comedy by Dan Goggin stars five nuns on a money-making mission
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Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
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Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
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At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
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The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
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At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
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Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
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Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
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Samoan poet Grace Iwashita-Taylor describes working with accomplished director Fasitua Amosa to honour the stories, struggles, and joys of a vast and diverse region
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Abrasive production by award-winning playwright Caroline Bélisle depicts the paralyzing anxiety that can come with motherhood
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Tracey Power’s new show features songs by Joni Mitchell, Neil Young, Gordon Lightfoot, and other folk icons
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The Arts Club and Theatre Calgary coproduction focuses on a disgruntled husband who plots to kill his wife when he finds out she’s cheating
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Drawing on everything from absurd comedy to cabaret, Leah Shelton ties family tragedy to a system that still pathologizes women as “hysterical”, “high-strung”, or god forbid, “hormonal”
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In The Cultch, PuSh Fest, and Live Biennale copresentation, technicolour visuals complemented Hazel Venzon’s larger-than-life energy in a ride that spoke directly to today’s global economy
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At PuSh International Performing Arts Festival, the Creepy Boys duo who created and perform the show, want to make sure it’s about nothing, nothing, nothing, except fun, fun, fun
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With strong performances and set design, Mark Crawford’s dramedy relives a marriage’s milestones on a lived-in cottage’s cosy front porch
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The London-based performer reveals the struggle and growth behind the bold, disarming visions of their latest show, now on its way to PuSh Festival
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In her show titled it is for when you meet me, the creator and performer explores what it means to give and receive through the Filipino tradition of pasalubong and balikbayan boxes
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