Puppets navigate dreary Cementland in Frog Belly Rat Bone at Anvil Theatre, March 8 and 9
Children’s show based on book by Timothy Basil Ering teaches of the beauty that can come from a little effort and patience
Oliver Castillo (left) and Jyla Robinson in Frog Belly Rat Bone. Photo by Ross den Otter (Pink Monkey Studios)
Anvil Theatre presents Axis Theatre Company’s Frog Belly Rat Bone on March 8 and 9 at 1 pm
HEARING THE TITLE Frog Belly Rat Bone conjures up a mishmash of graphic imagery, much of which is slimy and grotesque in nature. But in reality, Axis Theatre Company’s production highlights an artform that’s much more palatable: beautifully handcrafted puppets.
Performers Steffanie Davis and Paige Fraser are garbage collectors in Cementland who tell the story of a young boy hoping to find treasure. When the boy discovers an envelope containing “hundreds of tiny grey specks”—which turn out to be flower seeds—and scatters them on the ground to grow, he must subsequently protect his newfound treasure from junkyard thieves. Thus spawns Frog Belly Rat Bone: his own DIY guard, crafted from a mildewy jumble of stinky socks, decaying pillow stuffing, and wire scraps.
Ultimately, Frog Belly Rat Bone speaks to the importance of patience, as Cementland’s bleak grey landscape is transformed by a rainbow array of flowers thanks to the boy’s efforts. The collection of characters fashioned by seasoned puppeteer Dusty Hagerud help tell the story with adorably animated depth.
Axis Theatre Company’s production is based on the children’s book The Story of Frog Belly Rat Bone by Timothy Basil Ering, who is known for his pencil illustrations in the Newbery Medal-winning book The Tale of Despereaux, authored by Kate DiCamillo.
Be sure to stick around after the 45-minute-long show at the Anvil Theatre for a Q&A session with the artists. ![]()
Stir editorial assistant Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
The company has plans for a captivating array of shows, from high-profile hits like Stuart Little to the moving true-life tale of Jordan, A Hero’s Journey Home
Musical comedy by Dan Goggin stars five nuns on a money-making mission
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
