Queens of the Qing Dynasty is an endearing, offbeat treat, at VIFF Centre starting March 17
Deadpan, dreamlike magic from one of Canada’s most exciting new voices in film
An (Ziyin Zheng) and Star (Sarah Walker) in Queens of the Qing Dynasty.
Queens of the Qing Dynasty is at VIFF Centre March 17 to 25
CAPE BRETON AUTEUR Ashley McKenzie has handed in a wonderfully weird and disorienting followup to her debut Werewolf—which was the story of two meth addicts wandering Nova Scotia that wowed critics in 2016.
The two protagonists here are unabashedly unconventional: neurodivergent Star (Sarah Walker) is recovering from a suicide attempt and An (Ziyin Zheng) is the genderfluid Chinese-immigrant hospital volunteer assigned to look after her as she recovers.
They couldn’t be more different: Star is blunt, stoic, and monotone; An is a graceful butterfly who practices delicate Chinese-dance finger articulations and dreams of being “a trophy wife”.
But they form an instant, often wordless, bond as lonely outsiders who don’t quite fit into this universe. Or as Star puts it in her plainspeak: “We have good chemistry….We’re mixing chemicals. I can feel it.”
McKenzie’s striking visual world suits the fairy-tale imaginations of its protagonists, whether that’s with rich-scarlet-walled Chinese restaurants, with closeups of hospital Jell-O, or with shots of the cold and snowy world just outside the anonymous brick hospital where they’re stuck. McKenzie creates a deadpan, dreamlike magic: watch the strange wonder the writer-director can build out of a simple scene with a zucchini.
A brain-bustingly glitchy electronic score adds to the bewildering feeling that you’ve entered a different dimension where these two characters connect.
Don't expect rapid-fire repartee or action sequences here: McKenzie likes to spend long, weird, and often wordless stretches with these strange, but ultimately deeply sympathetic and endearing characters. You'll get drawn into their alternate universe—and that of an exciting new voice in Canadian alt-cinema.
Janet Smith is founding partner and editorial director of Stir. She is a Webster Award–winning arts journalist who has spent more than three decades immersed in Vancouver’s performing arts, film, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
The installation at the Western Front includes hourly screenings of Uzbekistani artist Saodat Ismailov’s films Melted into the Sun and To the Throat of the Sun
The filmmaker’s directorial debut, screening at the Vancouver Latin American Film Festival, traces her personal journey to unite with a sister she never knew existed
Mexican actor and first-time feature director reflects on the powers of film to find the universal in the local and reveal new sides of an artist’s personality
Writer-director Daniel Hendler’s feature blends elements of noir and comedy to tell the tale of a mild-mannered cop on the run from corrupt colleagues
Saving Etting Street looks at an inspiring building project in Baltimore; “Egg Yolk Custard Bun (奶黃包)” features full-bodied food performances; and What Will I Become takes a moving look behind the statistics of trans suicide
François.e helps a cynical screenwriter see the world through trans eyes; The Electric Kiss revels in 1920s-era comedy; and The Party’s Over creates a biting critique under the southern French sun
Amid today’s full programming announcement of more than 160 features, DEVO icon Mark Mothersbaugh is added to VIFF Live lineup
Lineup opens with cop-on-the-run comedy A Loose End and closes with Vainilla, renowned Mexican actor Mayra Hermosillo’s directorial debut
Compelling shorts, strong documentaries, and features such as Apolo and Gugu’s World bring forward local and international voices
Visions Ouest Productions and the Alliance present true-life sports comedy Le Rêve américain and compelling walking documentary Á pied, with English subtitles
Retro summer series continues with the cult hit The Big Lebowski, a rare big-screen look at the risk-taking Run Lola Run, and more
Local singer puts her own improvisational spice on classic songs in ode to Anita O’Day’s iconic performance in the acclaimed, 1959 Newport Jazz Festival documentary
Hayashi Kaizo’s hard-boiled trio moves from cheerful spoof to disturbing violence in a distinctly Japanese play on old Mickey Spillane stories
Set on the edge of Horseshoe Falls, the stunningly shot crime thriller with the dangerous femme fatale deserves a new look on the big screen
Highlights include Argentinian-Uruguayan opener A Loose End, and guest filmmakers Oscar Ruiz Navia and Mayra Hermosillo
The series includes appearances by Canadian and international artists, including throat-singing duo Silla, composer Kelly Moran, and experimental rock act Xiu Xiu
Save up to 30 percent on festival packs and passes—and get exclusive access to festival tickets 24 hours before they go on sale to the general public
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
Oscar-winning Vancouver animator David Fine curates some of his favourite shorts, plus his own Animal Behaviour and Bob’s Birthday
Ranging from 1970s-era experiments in animation to an urgently current documentary, the offerings delve into the meaning of community and the power of place names
Screened outdoors at Cates Deck, outside The Polygon Gallery, Jafar Panahi’s guerrilla-style 2006 comedy captures the mood of World Cup fever
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
