Whistler Film Festival unveils full, Canada-strong program for 25th anniversary
Out of 106 features, more than 60 percent are Canadian; plus, Jay Kelly, a new Knives Out, and more
(From left) No Other Choice and Uiksaringitara | Wrong Husband.
THE WHISTLER FILM FESTIVAL has announced its full program for 2025, complete with 106 feature films, with well over 60 percent of those Canadian.
Marking its 25th anniversary, the fest had earlier announced the opening and closing films for its live event, running from December 3 to 7.
Among the big-name international offerings is Noah Baumbach’s Jay Kelly, with George Clooney, Adam Sandler, Laura Dern, Billy Crudup, and other stars. Elsewhere, Wake Up Dead Man: A Knives Out Mystery, the latest installment from director Rian Johnson, features Daniel Craig as sleuth Benoit Blanc amid an all-star cast that includes Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, and Kerry Washington.
Cinephiles will want to catch No Other Choice, a dark societal satire from Korean auteur Park Chan-wook, of Decision to Leave and Oldboy; it features Lee Byung-hun of Squid Game as an unemployed man who enacts a ruthless plan to secure a new job by eliminating his competition. WFF will also recognize Park with the WFF Career Achievement Award in recognition of his body of work. Horror fans, meanwhile, can look forward to Keeper, with director Osgood Perkins following a couple whose cabin getaway takes a sinister turn; Perkins will be in Whistler in person for an appearance with producer Chris Ferguson.
The Borsos Competition for Best Canadian Feature includes B.C. contenders Akashi by Mayumi Yoshida, the horror sequel Influencers by Kurtis David Harder, and Starwalker by Corey Payette. Other highlights in the competition include Chandler Levack’s Mile End Kicks and Zacharias Kunuk’s Uiksaringitara | Wrong Husband, in Inuktituk with English subtitles.
Elsewhere, the France-U.S. coproduction Arco features Natalie Portman, Will Ferrell, America Ferrera, Mark Ruffalo, and Andy Samberg bringing to life Ugo Bienvenu’s animated fable about a boy from the distant future who crash-lands in 2075. Scarlet, meanwhile, is a haunting fantasy from Japanese animator-director Mamoru Hosoda.
In the documentary realm, Métis filmmaker Shane Belcourt’s Ni-Naadamaadiz: Red Power Rising looks back at the 90-day Indigenous youth occupation of Anicinabe Park in Kenora, Ontario, in 1974. This year’s World Documentary program, meanwhile, includes Caribou Country, director Luke Gleeson’s portrait of the deep relationship between Indigenous hunters and the northern caribou herds; director Marlene Rodgers’s The Rewilders, a celebration of scientists and citizens restoring biodiversity; One But Many, Janna Giacoppo’s examination of the collision between humanity and wildlife in Africa; and Menopause: Coming In Hot by Kate Green, bringing new perspectives to the conversation about women’s health.
Also announced were six expansive programs of shorts, and a Morning Fuzzies family program that includes a Cat Video Fest. The Content Summit, WFF’s industry and networking component with an expected attendance of 1,200 filmmakers and industry professionals, is set to announce its program later.
You can find the full lineup at whistlerfilmfestival.com. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
Director OK Pedersen narrates the cine-concert featuring violinist Eden Glasman and pianist Jakub Tokarczyk
Vancouver filmmaker Tristin Greyeyes takes a personal approach to documentary that explores her grandmother’s role in nêhiyawêwin revitalization
Creepy trip into the West Coast woods has been earning praise for its fresh spin on the horror genre
As part of Capture Photography Festival, Dana Claxton, Althea Thauberger, and Stephen Waddell screen the films that shaped them
Vancouver New Music event brings together artists and activists for a roundtable discussion and performances
Running April 30 to May 10, 25th annual event features a South Korean spotlight, Fire of Love director Sara Dosa’s Iceland-set Time and Water, and world premieres Under the Red Roof, Illustrated Legacies: Graveyard of the Pacific, and more
Among the titles nominated across 14 categories are Bikas Ranjan Mishra’s Bayaan, Josias Tschanz’s The Fire in Our Hearts, and more
Local duo Beautiful Violence performs original music for silent film about the titular 15th-century teenage warrior
In South Korean filmmaker Hong Sangsoo’s hazily-shot latest, the viewer becomes increasingly aware that parents are casually interrogating their daughter’s poet boyfriend
B.C. filmmaker Nat Boltt brings scenic, gentle comedy to the Park big screen
