Applications for Realwheels Theatre's second Academy cohort are open now to March 15
Performing arts training program for D/disability-identified artists will run from September 2025 to June 2028
Realwheels Theatre Academy alumna Jennifer Burgmann (left) and instructor Sandra Ferens. Photo by by Mark Halliday
Realwheels Theatre has just announced the intake for its second cohort of the Academy, which will run from September 2025 to June 2028.
The Academy is a three-year, part-time, fully scholarship-funded training program—the only one of its kind in Canada—that focuses on exploring the creation of compelling performance. Centred on the principle that every mind and body is uniquely creative, the Academy is open to anyone identifying as living with visible or invisible D/disability and/or who is D/deaf and is working toward acquiring the skills and knowledge necessary to sustain a professional performance practice. Graduates will possess a strong foundation on which to build a thriving career in the arts.
Year One of the Academy is designed to expand students’ understanding of performance. Through a variety of approaches to contemporary creation and active experimentation (including sound, light, digital media, and human interaction), students will develop the ability to make work that reflects their creative intentions.
Year Two of the Academy explores the relationship between a performance and its intended public. Students are asked to consider who they are making work for and why. They will investigate the diverse ways in which folks attending a performance can be affected, going beyond basic accessibility to create multisensory experiences.
Academy alumna Emily Grace Brook at the Freewheeling Mini-Festival in 2023. Photo by Sarah Race
Year Three centres on the development of an original piece from concept to performance. This intake combines considerations of “What am I making?” and “Who am I making it for?” into the larger question of “How do I make it?”. In addition to aesthetic considerations, students will engage in concept proposals, grant writing, scheduling, budgeting, contracting, and marketing.
“Rolling out this program taught us so much,” says Adam Grant Warren, co-artistic director of Realwheels Theatre, in a release. “Particularly that we couldn’t just start with the traditional classes in voice, movement and acting, for example. We needed to build a whole new curriculum: one that could offer professional calibre training with the flexibility to meet each student in their individual body, mind, and creative curiosity.”
The application deadline for the Academy is March 15. Interested students can learn more and apply by visiting the Realwheels Theatre website.
Post sponsored by Realwheels Theatre.
Related Articles
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
