A woman's exes come back to haunt her in Studio 58's Baggage, October 3 to 13
In Sarah Segal-Lazar’s play directed by Jessie Liang, main character Jill is plagued by her failed relationships as she tries to start a new one
Michelle Avila Navarro as Jill in Baggage. Photo by Emily Cooper
Studio 58 presents Baggage from October 3 to 13 at Langara College
THE EMOTIONAL BAGGAGE of a woman in her late ’20s becomes a beast unto itself in Baggage, Sarah Segal-Lazar’s comedically cynical play coming to Studio 58, the professional theatre training program at snəw̓eyəɬ leləm̓ Langara College.
Opening the program’s 2024-25 season from October 3 to 13, Baggage stars Michelle Avila Navarro as unabashed main character Jill, who is in the early stages of a new relationship with her partner Ben (played by Filip Fufezan). But Jill has an extensive dating history—one that ranges from burnouts to fuckboys and back again—and it comes back to haunt her big-time in the form of the bags around her apartment, which transform into personified renditions of her exes.
Taiwanese-Brazilian theatre artist Jessie Liang, who’s a graduate of Studio 58, returns to direct this rollercoaster of a play that artfully touches on true-to-life themes like dealing with the heartbreak of failed relationships and processing unresolved trauma.
Audiences may recognize Navarro from Studio 58’s revamped production of Federico García Lorca’s tragedy Blood Wedding directed by director Carmen Aguirre last fall, in which she starred as the Girl. Stir praised her for the “restrained strength and concealed desire” she emanated in her passionate performance as a rebellious bride-to-be who gives in to forbidden love.
Baggage was created with support from Playwrights’ Workshop Montréal, and translated into French with the help of Théâtre Aux Écuries and Le Festival du Jamais Lu.
The play runs at Studio 58 at 2 pm and 7:30 pm; special runs include a Talkback Tuesday with the artists on October 8, and a Relaxed Performance—which involves softened lighting, reduced sound, and a half-capacity theatre, among other accommodations—on October 9. The show’s official opening night is on October 5. ![]()
Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.
Related Articles
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
Bold and bloody new take on “the Scottish Play” speaks effectively to an era of intense societal fears, with postapocalyptic atmosphere to burn
The Vancouver performer straps on the platform shoes and readies her powerhouse voice for musical based on the movies she grew up watching
Homage to Eugène Ionesco is presented by Rumble Theatre and produced by Theatre Conspiracy in association with Pi Theatre
In a shamelessly fun update, the comedy’s colourful schemers, lovers, and busybodies are regulars at a Vancouver community centre during World Cup fever
WUG, KRAGVA, and MOOG return to the Shakespeare festival for a hysterical take on the titular Greek tale
The Arts Club director says the smash-hit U.K. show is one of the most technically demanding comedies ever written
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
