Touchstone Theatre announces 2024-25 season, appoints Lois Anderson as artistic director
Kat Sandler’s hit comedy Yaga and Anosh Irani’s drama Behind the Moon are among the works on offer
Yaga. Photo by Emily Cooper
TOUCHSTONE THEATRE HAS revealed its 2024-25 season with a lineup of works that draw on myth and legend to explore themes of migration, displacement, settlement, home, and identity. It has also shared the news that Lois Anderson has been appointed the company’s new artistic director.
Teaming up with Zee Zee Theatre, Touchstone launches its season with a one-night-only presentation of Qwalena: The Wild Women Who Steals Children at The Cultch on September 21. (Stay tuned to Stir for a forthcoming feature article on the work.) Taking place in honour of the National Day for Truth & Reconciliation, the multimedia performance by Indigenous storyteller Dallas Yellowfly addresses the ongoing impacts of the Indian Act.
Kat Sandler’s hit comedic thriller Yaga makes a return to the stage in a Gateway Theatre presentation from October 24 to November 2. Touchstone’s recently retired artistic director Roy Surette directs the show, which stars Genevieve Fleming and Aidan Correia as a small-town sheriff and private eye who collaborate to find a killer, while Colleen Wheeler returns as Katherine Yazov, a professor who lands at the top of the suspect list.
From January 23 to February 9, Touchstone teams up with the PuSh International Performing Arts Festival to co-present SWIM at the Vancity Culture Lab. Created by Jivesh Parasram, Tom Arthur Davis, Gavan Cheema, and David Mesiha, the play is loosely inspired by the epic poem Laila & Majnun and imagines the risky journey from Güzelçamli, Turkey to the Greek island of Samos by those seeking asylum.
Behind the Moon by playwright and author Anosh Irani hits the Vancity Culture Lab March 25 to April 6. Directed by Anderson, the play is set in a Mughlai restaurant in Toronto, and offers a moving portrait of the lives of three men from India seeking a better life in Canada. The cast includes Dhirendra and Zahf Paroo, with music by Joelysa Pankanea.
Additionally, Flying Start playwright-in-residence Jordyn Wood continues development on their new play Vascular Necrosis, a narrative that subverts typical zombie tropes to explore identity, chronic illness, and belonging. A public reading is scheduled for February 2025 as it makes its way to a world premiere next season.
The season announcement comes with the news of Anderson’s recent appointment as Touchstone’s artistic director. She earned the 2017 Jessie Award for best direction for her adaptation of Pericles at Bard on the Beach and the 2019 Critic’s Choice Award for Innovation for her adaptation of Lysistrata. Anderson has been an artistic associate with the NAC, Runaway Moon, and Leaky Heaven, focusing on theatre that develops community engagement. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
In this left-field comedy, the obsessive lead character is driven by the same perfectionism that her creator has learned to leave aside in life
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Sharp dialogue and restless energy, prodded on by the little irritations of married life, result in cozy yet unsettling laughs
Ahead of his Anvil Theatre show, the long-time cruise-line performer talks about dispelling childhood fears with lovable characters
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
Sanaz Toossi’s play won the Pulitzer Prize for Drama in 2023 for its look at four students preparing for the TOEFL
Latinx theatre artist’s debut script unfolds across three worlds: Toronto, Antigua Guatemala, and a realm in which the immigration system functions like a game show
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Offerings range from storytelling event The Family Flame to dance parties, documentary screenings, drag performances, and more
The starkly moving show by the Czech Republic’s Archa Centre of Documentary Theatre recounts true stories of lives upended by the conflict
Production by Tracey Power transports audiences back to the time of coffeehouse open mics that nurtured musicians like Joni Mitchell and Leonard Cohen
Théâtre Gauche production probes into linguistic insecurities and the stigma of being a “bad francophone”
Romantic comedy set in 1960s New York City follows newlyweds navigating marriage, compromise, and the beautiful mess of learning how to live
Presented with the Shadbolt Centre for the Arts and Presentation House Theatre, Faly Mevamanana’s play centres on a cultural obsession with competition
Skilled Canadian ventriloquist has competed on America’s Got Talent and headlined with Disney Cruise Line for more than two decades
Ruby Slippers Theatre presentation features new works by Irene (Fan) Yi, Abi Padilla, Marcia Johnson, Alexandra Lainfiesta, and Sewit Eden Haile
Amir Hosseini directs the Blackout Art Society production about four Iranian adults preparing for an English proficiency exam
Playwright Mieko Ouchi’s story of one woman’s self-discovery in the Nevada Desert is rooted in her mother’s true story
Provocatively reimagined endings to opera and Shakespeare were among the random scenes that stuck with us from the year onstage
Whether you’re into show tunes or funk, improv comedy or acrobatics, you’re sure to find your own way of welcoming 2026 with the help of Vancouver’s arts companies and venues
James & Jamesy’s family-friendly show sails through a series of slapstick and sometimes surreal journeys
