Loop stations, spoken word, and Jungian shadows, as Vancouver International Flamenco Festival pushes the form September 22 to 24
Anastassiia Alexander, Kara MIranda, and Albert Hernandez present fresh work
Kara Miranda. Photo by Herman Surkis
Anastassiia Alexander. Photo by Tyler Baker
Vancouver International Flamenco Festival continues to September 24
VANCOUVER INTERNATIONAL FLAMENCO Festival continues to show how vast and form-pushing its art form is as it heads into its final week.
On September 22 at the Waterfront Theatre, Calgary’s Anastassiia Alexander mixes spoken word with dance in The Machination of Memories Suppressed, based on the poem "Maquina de Olvido" (“Oblivion Machine”). In an innovative touch, the artist creates all her own rhythms and soundscapes using a looping station.
The following night at the same venue, Kara Miranda draws on Swiss psychiatrist Carl Jung’s concepts of the Shadow Self in Sombras/Shadows, complete with live music and visual projections that play with light and dark.
And wrapping the festival is hosting company Flamenco Rosario, September 24 at 8 pm at the Waterfront, with Nuevo III. Ballet Nacional de España’s leading dancer and award-winning choreographer Albert Hernandez joins the troupe on stage, presenting three of his works with Madrid’s Irene Tena Mora, including his award-winning work Loca. Granada’s Sara Jimenez and maven Rosario Ancer also create pieces on the program.
Related Articles
Two-day festival from New Works Dance allows companies like Generous Mess to find new freedom of movement in non-traditional spaces that include staircases and rooftop gardens
Global Dance Connections piece tells a Coast Salish story of ancestral resilience and hope
Program includes world premieres by Cameron Fraser-Monroe and Michael Garcia, along with a remount of Out Innerspace’s Last Flower
Part of the Pi Provocateurs Performing Arts Series, the new work finds the Vancouver interdisciplinary artist performing with violinist Ilana Waniuk
Meditative piece is a collaboration between interdisciplinary artist Alex Mah and violinist Ilana Waniuk
Guitarist Cole Schmidt performs at a jazz-driven music-and-dance series reborn after the June passing of Tony Wilson
Highlights include a collaboration between Spanish guest artist Víctor Fernández and Flamenco Rosario, free outdoor performances, and more
Forecast’s dive into dance and Youtube, Tasha Faye Evans’s Cedar Woman, Wen Wei Wang’s final solo, and Montreal’s Ebnflōh are just some of the highlights
September’s Censored Opera Festival in Helsinki is followed by collaboration with Vancouver Chamber Choir in November
With an awards night and workshops at The Dance Centre, and the grand catwalk show at the Pearl on July 25, Vancouver Kiki Ballroom Alliance celebrations show the art form is alive and well
In a lineup reflecting the strength of the local dance scene, performer Jes Hanzelkova embraces outdoor settings for the multifaceted expression of struggle in her new piece
Copresented by Belle Spirale and the Eastside Arts Festival, the summer tradition features a Ballet BC dancer, a Bharatanatyam practitioner, members of the Vancouver Chamber Choir, and more
Multidisciplinary, site-specific outdoor performances highlight the talent of independent creators through a unique, community-minded platform
Quick takes on three atmospheric works: Modus Operandi’s Wound, Dance//Novella’s Soft Animals, and O.Dela Arts’ Where You Go
At The Dance Centre, new FakeKnot production taps into deep community ties to celebrate the family bonds and playful energy behind the voguing
At Dancing on the Edge, Alexis Fletcher and Sylvain Senez develop a new piece alongside one by Ballet BC’s Sid Chuckas
Inverso Productions event includes performance featuring Claudia Moore, Calder White, Anne Cooper, Savannah Walling, and more at the Roundhouse Community Arts & Recreation Centre
Annual event brings free outdoor dance to the Granville Island Picnic Pavilion and the VPL Central Library’s rooftop
The choreographer and performer’s character-driven Dancing on the Edge piece is informed by his perspective as the child of a deaf parent
Ralph Escamillan’s subversive, playful new work brings the Ball from the runway to the stage
