Stephanie Lake Company's Manifesto unites dynamic movement and driving percussion in B.C. premiere, April 16 to 18
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
Manifesto. Photo by Roy VanDerVegt
DanceHouse and Vancouver New Music present the B.C. premiere of Australia’s Stephanie Lake Company’s riveting Manifesto, April 16 to 18 at 8 pm at the Vancouver Playhouse.
In a unique pairing, nine drummers and nine dancers—with backgrounds ranging from contemporary and ballet to salsa and hip hop, from jazz and metal to classical and experimental—will unite for this explosive performance, summoning a cacophonic wall of sound composed by Lake’s partner, experimental music composer Robin Fox. Set against a towering velvet curtain, the dancers and musicians evoke ancient rituals of catharsis, unleashing a sense of obliterating dynamism.
Lake has emerged as one of Australia’s most celebrated choreographers in recent years. Her compelling movement vocabulary combines meticulous control with moments of raw freedom.
A pre-show chat will take place at 7:15 pm each evening in the Upper Lobby, and a post-show social in the Salon will follow the performance on April 17.
For tickets and further information, visit DanceHouse.
Post sponsored by DanceHouse and Vancouver New Music
Related Articles
At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today
Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour
On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture
Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers
Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more
In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage
Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast
Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems
Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers
At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
