Vancouver Latin American Film Festival unveils program of more than 70 films for event September 10 to 20
Highlights include Argentinian-Uruguayan opener A Loose End, and guest filmmakers Oscar Ruiz Navia and Mayra Hermosillo
A Loose End
Comparsa
VANCOUVER LATIN AMERICAN FILM FESTIVAL will open its program of 70 films from 24 countries with the Canadian premiere of Argentinian-Uruguayan A Loose End on September 10.
The Spanish-language cop-on-the-run comedy combines Western, thriller, and rom-com elements—and marks the latest by Uruguayan actor and director Daniel Hendler.
VLAFF, one of the largest and longest-running Latin American film festivals in North America, will continue to September 20 at venues around town, including SFU Woodward’s, The Cinematheque, Cineworks (in the same building as The Cinematheque), as well as copresentation screenings with the Vancouver Queer Film Festival at the Cineplex Odeon International Village Cinemas.
Other highlights include a special guest appearance by renowned Colombian director, screenwriter, and producer Oscar Ruiz Navia. The fest will screen 2019’s Fait Vivir and 2025’s Tigers Can Be Seen in the Rain—both made since the filmmaker has relocated to Montreal.
Elsewhere, Mexican actress, director, and screenwriter Mayra Hermosillo is coming to the festival to present the Canadian premiere of her directorial feature debut, Vainilla. The film, which premiered at the Venice Film Festival and won the Audience Award at the 2025 Morelia Film Festival, is set in the home of a multigenerational family of women. It’s currently nominated for Best Picture at the Mexican Academy of Film Awards. Hermosillo will also present Newborn, the 2024 feature in which she stars as the mother of an intersex baby and all the ethical questions she faces around gender assignment.
Meanwhile, six standout features will compete in VLAFF’s New Directors Competition. The titles include Mexico’s The Reserve, directed by Pablo Pérez Lombardini; Argentina’s Elder Son, directed by Cecilia Kang; U.S.-Guatemala coproduction Comparsa, directed by Vickie Curtis and Doug Anderson; Mexico’s The Devil Smokes (and Saves the Burnt Matches in the Same Box), directed by Ernesto Martínez Bucio Castellanos; Ecuador’s Light Memories, directed by Misha Vallejo Prut; and Argentina’s Lovers in the Sky, directed by Fermín de la Serna.
The 2026 VLAFF Youth Jury, made up of 18 young filmmakers, students, and artistic creators based in B.C., will engage in online dialogues with all of the New Directors and choose the winner of the Youth Choice Award for Best New Director.
Meanwhile, 15 shorts, chosen from over 350 submissions from across Latin America, will compete for the fest’s top short-film prize, representing six countries and four languages—Spanish, Portuguese, Guaraní, and Nahuatl. The selected works include films by Indigenous, women, queer, and trans/nonbinary filmmakers. Several directors will attend in person.
And as ever, VLAFF will showcase Latin-Canadian cinema, including the Vancouver premiere of Copper, the 11th feature by the enfant terrible of Latin-Canadian cinema, Nicolás Pereda. Likewise, local filmmaker and artist semillitxs hernández velasco, codirector with his sister Tania Hernández Velasco, will present the Canadian premiere of their innovative, intimate feature film Our Body Is an Expanding Star. VLAFF is also preparing to show its largest-ever selection of Latin-Canadian short films.
Curated by Akira Iahtail and Masa’n Galindo, the program Following the Voices of Our Ancestors to the Future shines a spotlight on Indigenous futurism, and includes the cinematic essay “Sukkaillutit Uqaruk - Say It Slowly” by Inuk filmmaker Ashley Qilavaq-Savard. All screenings in this section are free. The Panamanian-Emberá coming-of-age feature The Dance of the Kokorrdit by Guido Bilbao and Elio Cunampio will screen under the heading of Films from Turtle Island and Beyond.
For the third year in a row, VLAFF and Vancouver Queer Film Festival will copresent Queer Pix, short films by 2SLGBTQ+ Latin filmmakers, followed by the Fuego/Fogo live performance and Latine DJ dance party at The Birdhouse on September 19.
Local artists will play live music at the fest’s free ¡ASÍ SUENA! Music Nights in the Cinematheque courtyard from Friday to Sunday evenings at 7:45pm.
At VLAFF.org, Earlybird Festival Passes are now on sale, with all other passes and tickets on sale August 4. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
The series includes appearances by Canadian and international artists, including throat-singing duo Silla, composer Kelly Moran, and experimental rock act Xiu Xiu
As part of VIFF Live, Juno-nominated artist will perform a set of classic Burt Bacharach material before a screening of Austin Powers: International Man of Mystery
Save up to 30 percent on festival packs and passes—and get exclusive access to festival tickets 24 hours before they go on sale to the general public
Screening at VIFF Centre starting July 10, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
Oscar-winning Vancouver animator David Fine curates some of his favourite shorts, plus his own Animal Behaviour and Bob’s Birthday
Ranging from 1970s-era experiments in animation to an urgently current documentary, the offerings delve into the meaning of community and the power of place names
Screened outdoors at Cates Deck, outside The Polygon Gallery, Jafar Panahi’s guerrilla-style 2006 comedy captures the mood of World Cup fever
This year’s series features al fresco screenings of top-tier sports films, from Shaolin Soccer to A League of Their Own
Amid small miracles, and also tragedies, Deanna Milligan and Ramsey Fendall conjured analogue, ’90s-era strangeness by adopting the spirit of a community art project
The theatre’s organ was installed in 1927—the same year Alfred Hitchcock released his first thriller, about a Jack the Ripper–esque killer
Retrospective unites the late British filmmaker’s feature-length works, including A Quiet Passion and Distant Voices, Still Lives
Short film poetically remembers a Black woman from an old photograph
With influences including Hideaki Anno and Alfred Hitchcock, debut feature by Surrey-raised director builds uncanny atmosphere as a quiet young woman points her camera into neighbours’ windows
Illustrated Legacies: Graveyard of the Pacific wins Nigel Moore Award; And the Fish Fly Above Our Heads و الأسماك تطير فوق رؤوسنا named best feature
Down-and-out buddies follow the randomness of life in evocatively shot Italian film by Francesco Sossai
At the VIFF Centre, debut feature by fast-rising filmmaker splices past and present in a powerful story that is part time-travel fiction, part nostalgic vision of ’90s Vancouver Island
The poignant film focuses on Vancouver singer-songwriter Cassidy Waring as she delves into an unresolved family tragedy
Without Fear, Early Cranes, and The Touch offer perspectives on preserving cultural identity amid hardship
Local duo’s live score to Carl Theodor Dreyer’s 1928 historical drama employed drones and dissonance to evocative effect
Koos van Nieuwkoop plays the historic Wurlitzer organ live to Alfred Hitchcock's 1927 thriller
Recipients were unveiled during a ceremony at Landmark Cinemas Guildford
Idyllic meditations, sharp investigations, and deeply personal questions arise in our quick takes on Green Valley, The Sandbox, There Are No Words, Numakage Public Pool, and Replica
The musical duo of Simon Dobbs and Jon McGovern found scoring Carl Theodor Dreyer’s 1928 film a more daunting prospect than they anticipated
Documentary by Eileen Francis and Evan Adams looks at the Tla’amin Nation’s efforts to change the contentious name of the city of Powell River
Contemplative new work by acclaimed filmmakers Jessica Johnson and Ryan Ermacora explores imperfect balance between an ancient, shifting ecosystem and a Cortes Island community of oyster farmers
In the National Film Board documentary making its local premiere at the DOXA Documentary Film Festival, Canadian director Kim Nguyen traces the repercussions of an execution photo through the decades
“Egg Yolk Custard Bun”, “Ramen Boys”, “It’s Not You”, and the feature Blood Lines contribute to a diverse and often playful program
A reed cutter tries to solve a murder in Academy Award submission for Best Foreign Language Film; plus documentaries and soccer as fest enters second installment
Director OK Pedersen narrates the cine-concert featuring violinist Eden Glasman and pianist Jakub Tokarczyk
Vancouver filmmaker Tristin Greyeyes takes a personal approach to documentary that explores her grandmother’s role in nêhiyawêwin revitalization
