A Simple Space serves up acrobatic feats without the sequins, at the Kay Meek Arts Centre May 22
Aussie troupe Gravity & Other Myths’ stripped-down spectacle has been a hit around the world
Gravity & Other Myths’ A Simple Space. Photo by Chris Herzfeld
A Simple Space is at the Kay Meek Arts Centre on May 22 at 7:30 pm
VISITORS WHO CAUGHT Gravity & Other Myths’ The Mirror at the Vancouver Playhouse in 2024 knows the Aussie company serves up circus with cheekiness: in that sophisticated, ever-shifting funhouse, the troupe cavorted acrobatically in skivvies, with plenty of naughty laughs.
A Simple Space, last viewed in town at the York Theatre in 2015, is more indie-feeling and stripped-down—a circus extravaganza that builds a raw intimacy with the audience unlike anything you’d see at Cirque du Soleil.
Backed by the driving rhythm of live percussionist Nick Martyn, the troupe gives audiences a closeup view of bodies struggling in the moment—and receives whoops and cheers in return. The Kay Meek’s Grosvenor Theatre, at just under five hundred seats, is about the perfect size to enjoy the frank artistry.
Some of the artists in Gravity and Other Myths started as dancers then became acrobats; for some it was the other way around. Either way, it lends the company’s work a flow and finesse.
But gone are the sequins, heavy makeup, and theatrical set pieces of Vegas-style circus: what you get here are humans pushing themselves to the limits of gravity and space with the enthusiasm of a bunch of kids at the playground.
Rave reviews have met the show’s tours around the world, with the U.K.’s The Guardian calling it a “total triumph”.
As artistic director Darcy Grant told Stir last year: “The struggle and the limits—it’s infinitely watchable. There’s a real culture inside the company to a) never recycle content, and b) to always be pushing and searching for a new kind of obsession, a new style of acrobatics or movement or other new language.”
So yes, there are all the spectacles and feats you expect at a night at the circus, but also a sense of team spirit and communal support that you might not expect. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Pond hockey, RCMP battles, and polar bears bring this unique rendition home—with classic Russian touches, of course
Company’s annual holiday twist on The Nutcracker features a flavoursome assortment of styles, from classical ballet to hip hop to ’60s swing
Dreamlike Taiwanese show explores freedom and oppression, with Ling Zi becoming everything from spiky weapons to shivering life forces all their own
Presented by DanceHouse, Taiwan’s Hung Dance draws on the headpieces of Chinese opera to conjure calligraphy, weapons, and birds in flight
The local arts and culture scene has bright gifts in store this season, from music by candlelight to wintry ballets
New production comes as a result of the street dancer’s Iris Garland Emerging Choreographer Award win earlier this year
This spin on Tchaikovsky’s The Nutcracker features a flavoursome assortment of styles, ranging from classical ballet to hip hop
Quebecois choreographer Audrey Gaussiran’s work tours to Alliance Française Vancouver’s V-Unframed and the Shadbolt Centre for the Arts
Dancers Omer Backley-Astrachan and Jana Castillo explore the importance of connection and trust
Company looks sharp across opening program of eclectic, full-throttle LILA, mysterious SWAY, and epic BOLERO X
Renowned Indigenous choreographer Santee Smith brings her haunting yet hopeful piece to The Cultch and Urban Ink’s TRANSFORM Festival
Presented by RBC, production features more than 250 performers and a live Tchaikovsky score played by members of the Vancouver Opera Orchestra
Production explores identity as the dancers’ movements influence a highly reactive digital projection onstage
OURO Collective’s second annual festival features mainstage performances at Massey Theatre by the likes of TARANTISM and RubberLegz
Presented by Ballet BC at the Queen Elizabeth Theatre, the production puts a fantastical twist on the classic story, all set to Tchaikovsky’s score
Ahead of a premiere at Ballet BC’s TRILOGY, the fast-rising Italian-born choreographer reflects on a creative journey that began locally and led her around the globe
Co-producer Lia Grainger reflects on the storied life of Oscar Nieto, who helped establish flamenco’s presence in Vancouver
Dance and digital art combine onstage with a colourful projection that reacts to the movements of five dancers
Seven artists are on an empowering mission to reclaim Indigenous sexuality from the effects of colonization
The anticipated performance, a captivating cry for freedom, marks the first time DanceHouse presents a Taiwanese work
Mainstage performances presented by OURO Collective include Greece’s TARANTISM, German-American B-boy RubberLegz, and more
