Emerging Artists of Ballet BC and New Coast Players come together for Absence; Creation, February 17
Ballet by Jack Campbell and Antony Knight makes its world premiere at Arts Umbrella
Emerging Artists of Ballet BC: Emanuel Dostine, Briana Del Mundo, Pei Lun Lai, and Eduardo Jimenez Cabrera.
Absence; Creation is at Arts Umbrella on February 17 at 4:30 and 7 pm
A NEW BALLET FEATURES fresh new talent across dance and chamber music.
Making its world premiere on February 17, Absence; Creation is by Vancouver-based composer, violinist, artist, and producer Jack Campbell with choreographer, actor, vocalist, composer, and director Antony Knight.
Exploring themes of death as absence and love as creation—and their inseparable relationship—the work features the Emerging Artists of Ballet BC: Briana Del Mundo, Emanuel Dostine, Eduardo Jimenez Cabrera, and Pei Lun Lai.
In an artists statement, Campbell says absence and creation are constantly reflected in the structures of the work, both via movement and music, “with physical elements constantly being removed and introduced, and the same in the score, with a constant state of sonic addition and subtraction being the formal foundation”.
Playing that music live is a new ensemble of star students from the UBC School of Music, called the New Coast Ensemble.
Campbell is a rising young star on the local arts scene who has created and collaborated in Paris, Berlin, London and Amsterdam. He’s commissioned and premiered over 20 works for solo violin by Canadian composers and his compositional projects aim to build bridges between music and visual arts, dance, and theatre. Projects this year include a solo concert tour in Europe, collaborative work on reconciliation through music with artist Debra Sparrow, and the premiere of a newly commissioned song cycle on LGBTQSIA+ identity. Knight is a baritone who’s studied in Opera Performance and Composition at UBC and has performed with UBC Opera. As a composer, his original piece The Protector of the Okanagan was featured in the VSO’s 2022 Jean Coulthard Readings.
Together with the dancers, they'll explore the two critical forces that connect humans across existence—and provide a chance to check out rising voices in music and dance.
Related Articles
Stops include a three-night residency at Austria’s Salzburg Easter Festival, as well as Croatia, Slovenia, Liechtenstein, and Germany
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
Among the 28-year-old’s recent achievements is winning the Terence Judd-Hallé Award for young pianists on the cusp of international fame
The Winnipeg artist brings experience as a tenor to a Mozart opera reimagined in a 1930s Rockies resort, complete with Mounties and log drivers
With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing
Romance, deception, and mistaken identities abound in Gioachino Rossini’s beloved comic masterpiece
Based on Adrian Glynn McMorran’s album of the same name, the show at the Arts Club’s BMO Theatre Centre is more than just a concert
Program features Pite’s Frontier, a deep dive into the unknown, and Kylián’s 27’52”, an exploration of theoretical elements
In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz
Han-Na Chang conducts Beethoven’s revolutionary Third Symphony
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
The renowned theatre artist and composer offers a stirring collection of tunes from acclaimed shows such as Children of God and Starwalker
Long-time UBC and CapU faculty member puts on a show featuring dozens of local musicians, plus vocalists Dawn Pemberton and Khari McClelland
The Winnipeg-based artist looks forward to onstage exchanges with diverse musical peers on International Guitar Night
Event hosted by Michael van den Bos features Hollywood film projections and live music by the Laura Crema Sextet
In the deeply moving production, dancers embody the ancient tale of death and longing by tapping into their own experiences of tragedy
Sonic architecture of Winnipeg’s AO Roberts explores the interplay of performance, installation, and layered auditory experiences
Collaborating with vocalists taught the acclaimed, formerly all-instrumental group new ways of listening and working
Rarely presented in Vancouver, the production blends musical theatre and opera with a philosophically rooted storyline
The adventurous artist sees his upcoming program with Vetta Chamber Music as a way of expressing music’s power to console and cheer, even in dark times
Hosted by the Cellar Music Group at the Shadbolt Centre, festival opens with a special concert by the Vancouver Jazz Orchestra with Champian Fulton and Klas Lindquist
Five emerging conductors lead a program of pieces by both Canadian and American composers, from Amy Beach to Stuart Beatch
Adrian Glynn McMorran’s moving theatre-concert pays tribute to his Ukraine-born grandparents, complete with a choir and traditional instruments
Productions that “push” forms include dance works that play with props and stereotypes, as well as ethereal odes to nature and the northern lights
Musician rises to the challenge of Brahms’s sole Violin Concerto on program that also features guest conductor Han-Na Chang
Under the inspiring title I Fall, I Rise, the concert also features the Focus post-secondary choir and winners of the Young Composers’ Competition
Aleksi Campagne, Bagatelle, Nicolas Pellerin et les Grands Hurleurs, and the Jocelyn Pettit Band are among offerings at celebration of Maillardville’s francophone roots
Annual fundraiser features a romantic piano recital by Leslie Dala, along with wine, chocolate, and optional charcuterie
Bruno Allary leads the Marseille, France–based Compagnie Rassegna as it plays songs from Sicily, Spain, Western Algeria, and Occitania
Producer Natália Fábics says the Hungarian work, co-presented by DanceHouse and The Cultch, is as much a contemporary artwork and philosophical epic as a fusion of circus and dance
