All-Indigenous burlesque collective Virago Nation performs at the Downtown Eastside Heart of the City Festival, November 4
Seven artists are on an empowering mission to reclaim Indigenous sexuality from the effects of colonization
Virago Nation. Photo by Kathryn Knickford
Vancouver Moving Theatre presents Virago Nation: Live, Laugh, #LandBack at the Russian Hall on November 4 at 7:30 pm, as part of this year’s Downtown Eastside Heart of the City Festival.
Audience members are invited to this breathtaking performance by the badass babes of Virago Nation, Turtle Island’s first all-Indigenous burlesque collective. Equally fit for folks who have seen burlesque before and those who have always wanted to, this is a chance to relish in the rematriation of Indigenous sexuality.
Virago Nation is made up of seven artists who are on a mission to reclaim Indigenous sexuality from the effects of colonization. Through humour, seduction, pop culture, and politics, the collective shows that Indigenous women, femmes, non-binary, and 2-Spirit folks are thriving outside colonial structures—and that they’re designing dynamic, multifaceted sexual identities rooted in their own desires while doing so.
In 2016, a group of burlesque performers found community within their shared Indigeneity. Like most artforms, burlesque was saturated with outdated colonial and patriarchal ideals of sexuality and performance. Since then, Virago Nation has carved a new narrative in the world of burlesque while demonstrating that Indigenous folks can—and should—feel empowered in their sexuality.
Virago Nation. Photo by Kathryn Knickford
Virago Nation consists of Manda Storyer, Monday Blues, RainbowGlitz, Ruthe Ordare, Scarlet Delirium, Shane Sable, and Sparkle Plenty. The performers demonstrate that their bodies are sacred and can be honoured without shame, reminding viewers that heteronormativity is inherently colonial and that queerness is a gift to be celebrated. The artists’ message is consistent, loud, and clear: patriarchal ideologies have no place within their practice.
In 2019, Virago Nation incorporated as the nonprofit Virago Nation Indigenous Arts Society with the goal of reaching more Indigenous communities and finding the good medicine that exists within their bodies. Using storytelling, comedy, and striptease, the collective continues to show that Indigenous sexuality is a powerful, deeply personal experience.
The 22nd annual Downtown Eastside Heart of the City Festival takes place from October 31 to November 8, with more than 100 arts and culture events across 40 local venues. View the full lineup here, tickets range from 0 to $33.40. Book your tickets here.
Post sponsored by Vancouver Moving Theatre.
Related Articles
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill
Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing
Program features Pite’s Frontier, a deep dive into the unknown, and Kylián’s 27’52”, an exploration of theoretical elements
In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
In the deeply moving production, dancers embody the ancient tale of death and longing by tapping into their own experiences of tragedy
