Follow the sound of stamping feet to free Vancouver International Flamenco Festival shows, September 3 and 4 on Granville Island
Mozaico Flamenco, Jhoely Triana, Linda Hayes, and more take open-air stage at Picnic Pavilion
Linda Hayes
Mozaico Flamenco. Photo by Elvira Yebes
Vancouver International Flamenco Festival presents Picnic Pavilion performances on September 3 and 4
VANCOUVER INTERNATIONAL Flamenco Festival is setting the mood for its event with two days full of free performances by Vancouver and Victoria based troupes—in both dance and music—on Granville Island.
On September 3, this city’s own Mozaico Flamenco kicks off celebrations at the Picnic Pavilion at 1 pm. They’re followed by A J Simmons and company, Bonnie Stewart, Jhoely Triana, and Michelle Harding and Calle Verde over the course of the afternoon.
Mozaico is back at one the following day, with Kara Wiebe, Michelle Harding and Calle Verde, Linda Hayes, and Bonnie Stewart.
The second day, kids can join a free workshop from noon to 12:20 pm and adults from 12:20 pm to 12:50 pm, to try their hand—or should that be feet?—at the Andalusian art form.
Watch for the fest to continue throughout the month to September 25.
Related Articles
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill
Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing
Program features Pite’s Frontier, a deep dive into the unknown, and Kylián’s 27’52”, an exploration of theoretical elements
In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
In the deeply moving production, dancers embody the ancient tale of death and longing by tapping into their own experiences of tragedy
Productions that “push” forms include dance works that play with props and stereotypes, as well as ethereal odes to nature and the northern lights
Producer Natália Fábics says the Hungarian work, co-presented by DanceHouse and The Cultch, is as much a contemporary artwork and philosophical epic as a fusion of circus and dance
Choreographer’s latest creation is a dazzling blend of dance, lighting, and sound that draws on her Black matrilineal heritage
