Plastic orchid factory stages Nate Yaffe's solo work faith hole, October 25 and 26

Le Radeau production sees Yaffe cultivate an exchange between performer and audience with unguarded emotion and humour

SPONSORED POST BY plastic orchid factory

Nate Yaffe in faith hole. Photo by Kinga Michalska

 
 

Plastic orchid factory presents Nate Yaffe’s faith hole, a solo work produced by Le Radeau, at Left of Main on October 25 and 26 at 7 pm.

In faith hole, Yaffe cultivates a non-transactional exchange between performer and audience, offering himself as an open orifice spilling fleshy histories with unguarded emotion and humour. By excavating muscle memories as artifacts from a history of conditioning through classical dance training, internalized hetero-masculine values, and restrained hyperactivity, Yaffe strives to reveal the innately queer vocabulary that lives beneath.

Created through radical trust in the body, faith hole embraces Yaffe’s corporeal future, dismissing nostalgic lingerings of self while exposing splinters of personhood to the public.

Ahead of his faith hole performances, Yaffe will also host community workshops on October 23 and 25 at the Scotiabank Dance Centre in partnership with the Training Society Of Vancouver.

Tickets and more details are available through plastic orchid factory.


Post sponsored by plastic orchid factory.

 
 
 

Related Articles

Featured
In Enemy Lines, Mayumi Lashbrook unearths a history she was never told
In Enemy Lines, Mayumi Lashbrook unearths a history she was never told

At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today

High-energy show BENCHED comes to the Vancouver International Children's Festival, May 26 to 31
High-energy show BENCHED comes to the Vancouver International Children's Festival, May 26 to 31

Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour

Wen Wei Wang rediscovers himself as a choreographer, with powerful meditations on life in Last Breath 最后的呼吸
Wen Wei Wang rediscovers himself as a choreographer, with powerful meditations on life in Last Breath 最后的呼吸

On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture

Corporeal Imago's Drift makes its world premiere at The Dance Centre, May 21 to 23
Corporeal Imago's Drift makes its world premiere at The Dance Centre, May 21 to 23

Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers

Co.ERASGA presents Undivided Colours in honour of Asian Heritage Month, May 14 and 15
Co.ERASGA presents Undivided Colours in honour of Asian Heritage Month, May 14 and 15

Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more

In Stephanie Lake Company’s Manifesto, thundering percussion meets dance
In Stephanie Lake Company’s Manifesto, thundering percussion meets dance

In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage

At the Firehall Arts Centre, Enemy Lines illuminates a historic injustice, May 6 to 9
At the Firehall Arts Centre, Enemy Lines illuminates a historic injustice, May 6 to 9

Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War

The Dance Centre secures long-term site, with $6 million land purchase at Davie and Granville
The Dance Centre secures long-term site, with $6 million land purchase at Davie and Granville

With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain

At Ballet BC's UNITY, Bobbi Jene Smith and Or Schraiber deliver a world premiere, May 7 to 9
At Ballet BC's UNITY, Bobbi Jene Smith and Or Schraiber deliver a world premiere, May 7 to 9

Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast

All-women ensemble Solidaridad Tango brings Tango Fantasia to the Shadbolt Centre, April 18
All-women ensemble Solidaridad Tango brings Tango Fantasia to the Shadbolt Centre, April 18

Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems

Belle Spirale Dance Projects stages two world premieres at Exhale, May 1 and 2
Belle Spirale Dance Projects stages two world premieres at Exhale, May 1 and 2

Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers

Dance review: Hamlet, Prince of Denmark captures complex tale through movement and design magic
Dance review: Hamlet, Prince of Denmark captures complex tale through movement and design magic

At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet

DanceHouse 2026-27 season features U.K. star Wayne McGregor and the return of Crystal Pite’s Assembly Hall
DanceHouse 2026-27 season features U.K. star Wayne McGregor and the return of Crystal Pite’s Assembly Hall

Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India

Stephanie Lake Company's Manifesto unites dynamic movement and driving percussion in B.C. premiere, April 16 to 18
Stephanie Lake Company's Manifesto unites dynamic movement and driving percussion in B.C. premiere, April 16 to 18

Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance

Hamlet, Prince of Denmark captures the inner turmoil of a man zeroed in on revenge
Hamlet, Prince of Denmark captures the inner turmoil of a man zeroed in on revenge

In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story

In Fall(se) Circ(us), dancers embrace cycles of frenzied work and relatable exhaustion
In Fall(se) Circ(us), dancers embrace cycles of frenzied work and relatable exhaustion

At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts

Renowned choreographer Noam Gagnon performs a deeply personal solo live-scored by Stefan Smulovitz, March 11 to 14
Renowned choreographer Noam Gagnon performs a deeply personal solo live-scored by Stefan Smulovitz, March 11 to 14

The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society

In Show Gone, Ame Henderson and Matija Ferlin question the nature of endings
In Show Gone, Ame Henderson and Matija Ferlin question the nature of endings

The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years

Dance review: At Ballet BC's INFINITY, Jiří Kylián and Crystal Pite take viewers into strange, subconscious limbos
Dance review: At Ballet BC's INFINITY, Jiří Kylián and Crystal Pite take viewers into strange, subconscious limbos

Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity

Little Room Productions premieres inaugural piece Fall(se) Circ(us), March 21
Little Room Productions premieres inaugural piece Fall(se) Circ(us), March 21

New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences

Arts Umbrella Dance Company hosts Tempus Fugit: A Midseason Performance, February 26 and 27
Arts Umbrella Dance Company hosts Tempus Fugit: A Midseason Performance, February 26 and 27

Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy

DANCEStir VancouverPartner Content, plastic orchid factory, Le Radeau