Western Gold Theatre's Gertrude and Alice brings a 40-year relationship to life onstage, November 6 to 23
Presented in partnership with Touchstone Theatre and in association with United Players of Vancouver, play touches on how lives are remembered
Gertrude and Alice. Photo by Nancy Caldwell
Western Gold Theatre presents Gertrude and Alice by Anna Chatterton, Evalyn Parry, and Karin Randoja—also known as the Independent Aunties—from November 6 to 23 at PAL Studio Theatre. Presented in partnership with Touchstone Theatre and in association with United Players of Vancouver, performances will take place at 7:30 pm from Wednesdays through Saturdays, plus at 2 pm on Thursdays, Saturdays, and Sundays.
Gertrude Stein and Alice B Toklas visit PAL Studio Theatre to recount stories about their 40-year relationship; their famous Paris salons, where the who’s who of artists gathered; and Alice’s overwhelming, consuming devotion to Gertrude’s genius. They survived in Paris during the Second World War. Now they want to find out how their lives are—or are not—remembered.
Gertrude and Alice was shortlisted for the Governor General’s Literary Award in 2018. Chatterton, Parry, and Randoja originally wrote the roles to perform them; Randoja directed the play’s 2016 premiere at Toronto’s Buddies in Bad Times Theatre, which featured Parry as Gertrude and Chatterton as Alice. In this upcoming production, a different team of artists will bring the story to life.
Directed by Lois Anderson, Western Gold Theatre’s production features Tanja Dixon-Warren as Gertrude and Kelsi James as Alice. The creative team includes sound designer Julia Lank, lighting designer Ben Paul, costume designer Sheila White, set and prop designer Cecilia Vadala, and stage manager Andy Sandberg.
Gertrude and Alice. Photo by Nancy Caldwell
On November 15 at 10:30 am at PAL Studio Theatre, playwright Chatterton will host a dynamic two-hour workshop inspired by the creation process behind Gertrude and Alice, developed with the other Independent Aunties. Space is limited and registration is required.
Through image-based prompts, guided writing tasks, and embodied exercises, Chatterton will engage with workshop participants to explore the beginnings of playmaking. This session offers an entry point into creating original work rooted in physicality, as a pathway to building characters and generating text.
Chatterton will also be present for the optional Act 2 Artist Salon after the performance of Gertrude and Alice on November 14 at 7:30 pm.
Tickets to see the production are available through Western Gold Theatre.
Post sponsored by Western Gold Theatre.
Related Articles
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
Musical numbers consistently land with energy and flair in a production that boasts strong performances and choreography
