Gateway Theatre's Annie brings back classic songs and a sense of optimism, to January 3
And did we mention the live dogs playing Sandy?
Azaleah Korn and Poco as Sandy in Gateway Theatre’s Annie. Photo by David Cooper
Gateway Theatre presents Annie from December 11 to January 3, 2026
CHANCES ARE THAT even if you’ve never seen the musical Annie—onstage or onscreen in director John Huston’s budget-blowing $40-million 1982 film—you know its iconic songs “Tomorrow” and “It’s the Hard Knock Life” (or at least Jay-Z’s “Hard Knock Life (The Ghetto Anthem)”, which liberally samples it).
But those are only two of the nonstop memorable tunes in the Tony Award–winning family favourite, being mounted by director Josh Epstein at Gateway Theatre for the holiday season and kept moving along by choreographer Nicol Spinola. The warmhearted original debuted on Broadway in 1977, care of Charles Strouse (music), Martin Charnin (lyrics), and Thomas Meehan (book).
The strong cast here includes Azaleah Korn as the titular character (and not necessarily a redheaded one, as in the original), alongside local stars Jennifer Copping as Miss Hannigan, who runs the cruel orphanage, and Charlie Gallant as Oliver Warbucks, the bald billionaire who takes in Annie. But who is guaranteed to steal the show? Annie’s beloved stray dog Sandy, played on the Richmond stage by three separate, adorable mutts (all based on the comic strip Little Orphan Annie, which began in 1924).
Word has it this production will up the musical’s intrinsic optimism and exuberance—and a reminder that “the sun’ll come out tomorrow” seems timely, not just amid December atmospheric rivers, but the world at large right now. ![]()
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
And did we mention the live dogs playing Sandy?
Portrayals of the classic novel’s famously lively siblings shine brightest when all four are together onstage, capturing love for one another in quiet gestures
Colleen Wheeler and Moya O’Connell have gathered a crack team of actors for micro-sized Shakespearean shows at the City Centre Artist Lodge—and this is only the beginning
With audiences supplying the laugh track, the days of “Must-See TV” return in a different form every night, with heartfelt moments arising among hilarious period-correct details
Theatre Replacement’s nearly sold-out holiday tradition continues at The Cultch’s York Theatre to January 11
Director Barbara Tomasic talks about the Arts Club Theatre Company’s new production of the Louisa May Alcott classic, which still inspires heartfelt reflection on sibling bonds and the challenges of finding a place in the world
Dawn Petten’s megadeveloper slays in a show with pumped-up song-and-dance numbers, subversive satire, and standout performances
Amid the laughter and DIY signs, Pony Cam show at The Cultch captures a world where we can’t step off the ever-racing treadmill
The local arts and culture scene has bright gifts in store this season, from music by candlelight to wintry ballets
At Studio 16, artist weaves mime and clown components in vignettes that explore a person’s search for the meaning of life
Artistic Fraud production portrays the joys and griefs of Jon Lien, a pioneering Newfoundland conservationist whose challenges included a late-life struggle with dementia
Shel Piercy directs the delightfully silly show full of colourful sets and sparkling costumes
Cheer on Pony Cam as chaotic treadmill performance captures the mad rush of life
Duo complicates East-West rivalries and draws on everything from Shakespeare to Gen Alpha slang in a music- and dance-filled installment of the Theatre Replacement tradition
Story follows little orphan Annie as she escapes the cruel Miss Hannigan’s rule and sets out on a search for her parents
In this candid Glitch Theatre production, first-time playwright Alex K. Masse creates an open-hearted, often funny encounter between young neurodivergent and neurotypical co-workers
Carousel Theatre for Young People brings back a hit celebration of drag that juggles song, education, dress-up, and play
With sparkling effects and powerful performances, the Arts Club Theatre Company’s production of the beloved musical captures imaginations of young audience members
Rumble Theatre and ITSAZOO’s sleek production of an unsettling, uncanny drama by Lucy Prebble explores our choices in a pharmaceutical-driven world
With Jane Austen’s 250th birthday, Metro Theatre offers a Pride and Prejudice sequel in which a long-overlooked member of one of literature’s most famous families finds love
Artistic Fraud production at the Firehall Arts Centre centres on conservationist Jon Lien’s powerful work and eventual battle with dementia
Casey and Diana, Burning Mom, Behind the Moon, and Yaga shared the spotlight with prizes for Bard on the Beach’s The Dark Lady, Theatre for Young Audience category’s Otosan, Small Budget dominator The Sound Inside, and much more
The Search Party’s hilariously offbeat theatre production gets a remount at the Anvil Theatre
Performers Gila Münster, Yan Simon, and Sarah Freia bring their diverse talents and individuality to a glittering celebration of queerness and representation
Presented by Rumble Theatre and ITSAZOO Productions, Lucy Prebble’s play is about two people who fall in love after testing a dopamine-regulating drug
For its second production, the company turns to an expanded version of the award-winning play by Rick Dobran that became a Fringe favourite back in the days of Y2K
Emerging playwright Alex K. Masse depicts challenges and changing views of neurodivergence with a story that is both deeply personal and reflective of society-wide shifts
