A Midsummer Night's Dream kicks off Bard on the Beach's comeback, to September 24
Fairies, talking trees, and creepy goblins all show up in the production directed by Scott Bellis
Sarah Roa as Puck. Photo-image by Emily Cooper
Bard on the Beach presents A Midsummer Night’s Dream at Sen̓ákw/Vanier Park to September 24; Opening night is June 16
A MIDSUMMER NIGHT’S DREAM is an all-time audience favourite at Bard on the Beach, and the story of lovers and fairies in a forest kicks off this year’s festival, its comeback following the COVID-19 pandemic.
Helmed by veteran Bard director and actor Scott Bellis (who directed Shakespeare’s comic masterpiece in 2014 and The Two Gentlemen of Verona in 2017), the play written in the mid-1590s launched the company back in 1990 and was performed during its 10th and 25th anniversary seasons.
Bellis is using the 1920s as a general palette for the piece, “with additions”. “I was drawn to this era as a reference for its historical similarities to our own current climate: military unrest, civil strife, a global pandemic – a world in trouble; one that reflects our time,” Bellis says in his director’s notes. “It’s a struggling and unsettled place in deep need of renewal, one in which a journey into the dark woods may provide some answers, and a pathway toward a brighter future together.”
Bard on the Beach is collaborating with SFU School for the Contemporary Arts for the 2022 production, with several fairies being played by senior dance students.
“We will also have talking trees, creepy goblins, a few rewrites, and other surprises to bring to this story – one of young people in search of hearts’ desire; of political figures seeking a path forward; of supernatural powers out of balance, and perhaps, most importantly, a group of actors trying to stage a play under trying circumstances,” Bellis says.
Bard artistic director Christopher Gaze says in a release that A Midsummer Night’s Dream—which is the 2022 fest’s only production on the BMO Mainstage, running all season—captures exactly what the organization wants to share with audiences after a long two years away. “It’s a true celebration of hope and joy that will lift the spirits of everyone who sees it,” Gaze says.
Related Articles
Keely Rois O’Brien’s intimate experimental work transforms a personal message into a subversive cake
Arun Lakra’s play is like a caper movie crossed with a whodunit, and director Andrew Kushnir says pulling it off requires the combined forces of an A team of designers and actors
Darkly funny play examines whether coexistence is possible in a society fraught with prejudice and discrimination
The local French-language theatre company will present everything from a live video game to an emotionally intense two-hander based on a Virginia Woolf masterpiece
A staged reading of Carol Shields and Dave Williamson‘s comedy takes a sharp look at life and love in middle-class suburbia
In playwright-performer Christina Cook’s new show, reality-bending correspondence plays out across a stage loosely divided between the three generations of women
Majid Tafreshi’s play intertwines Nezami Ganjavi’s 12th-century poetry with the lives of contemporary theatre actors
Christopher King directs the Tony Award–winning musical comedy about a college grad finding his way in the world
A new dance work by Kirsten Wicklund and Peter Smida, the world premiere of a musical, and more round out the lineup
Short works by D/disability-identified artists offer compelling stories, from a literally spirited cabaret to the time-spanning medical office of Anton Chekhov
Singer Krystle Dos Santos and her band celebrate the record label that brought us legendary performers including Aretha Franklin and Marvin Gaye
One-man show by Amsterdam-based Palestinian artist Alaa Shehada had already been postponed from last spring due to processing holdups
The show, produced by Theatre Conspiracy in association with Pi Theatre, finds contemporary resonances in Eugène Ionesco’s 20th-century works
Wug, Kravga, and Moog deliver a take on Sophocles’ Greek tragedy that, in addition to copious amounts of crude humour, has its share of chillingly effective moments
Ensemble Theatre Company taps into the humid haze of a Tennessee Williams classic where love and self-deception mingle
Standout performances and design bring infectious energy to Disney’s tale of love and self-discovery
Bold update by Kate Besworth brings mythic figures closer to us while continuing to ask the ancient questions posed by Sophocles
Fierce company transforms characters by committing to the popular musical’s blend of disco, soul, and gospel
Presented by the fest and Boca del Lupo, the multifaceted one-woman show carries long-standing reflections on workout culture and the life-altering effects of a pandemic
Now streaming on Knowledge.ca, John Bolton–helmed movie stars Niall McNeil, Marcus Youssef, Veda Hille, Nathan Kay, and more, in a mix of artists with and without Down syndrome
With live music and innovative touches, a collective of established Vancouver stage artists brings eco-horror play about disappearing bees to life at the Vines Den
Part of Ensemble’s summer festival, Jiehae Park’s play references Macbeth as it takes on the power dynamics of U.S. college admissions
Great performances and impeccable set design and stage management ensure that the comedy about a hapless theatre company is a chaotic mess in all the right ways
In playwright Kate Besworth and director Ming Hudson’s adaptation, contemporary language highlights the continuing relevance of Sophocles’ 5th century BC tragedy
