Royal Winnipeg Ballet unveils 2026 B.C. tour culminating in Vancouver with Carmina Burana and T’əl: The Wild Man of the Woods
Exhilarating double bill featuring a virtuosic classic and a historic West Coast premiere lands here February 9 and 10, 2026
Royal Winnipeg Ballet’s Carmina Burana. Photo by Daniel Crump
Canada’s Royal Winnipeg Ballet has just announced the presentation of an electrifying double header as part of its 2026 B.C. tour. The monumental favourite Carmina Burana will be featured alongside the evocative West Coast premiere of the Indigenous-led T’əl: The Wild Man of the Woods, onstage at The Centre Vancouver on February 9 and 10, 2026 at 7:30 pm.
A signature work in Royal Winnipeg Ballet’s repertoire, Carmina Burana fuses bold, athletic movement with Carl Orff’s thunderous and evocative score to create a visceral experience that transcends traditional storytelling. Argentine choreographer Mauricio Wainrot’s artfully staged vignettes capture the spirit of the orchestral masterpiece.
Carmina Burana was originally commissioned by the Royal Ballet of Flanders in Belgium in 1998, and given its Canadian premiere by Royal Winnipeg Ballet in 2002. This high-octane work demands everything of its dancers as they move as one powerful organism, showcasing the artists’ sensual, explosive vitality from its iconic opener “Fortuna I”—frequently heard in Hollywood film scores and ad jingles—through to the stirring finale “Fortuna II”.
T’əl: The Wild Man of the Woods. Photo by Daniel Crump
T’əl: The Wild Man of the Woods marks the first time in the company’s history that the entire roster of creators is led by Indigenous artists. Choreographed by Cameron Fraser-Monroe, the production is based on a traditional tale from the creator’s home—the Tla’amin Nation in southwestern B.C.—and honours the rich legacy of oral tradition.
Narrated in English and Ayajuthem by 94-year old Elder Elsie Paul, the story follows a fearless young woman who sets out to rescue her sister from T’əl, a dark figure who steals children under the cover of night. The show features a score by Juno Award-nominated Two-Spirit cellist and composer Cris Derksen, and stunning costumes by New York–based Navajo designer Asa Benally.
This marks Royal Winnipeg Ballet’s first tour to Vancouver, aside from its annual Nutcracker presentation with Ballet BC, since the critically acclaimed premiere of Going Home Star - Truth and Reconciliation in 2016. Early bird tickets are now on sale, and are 20 percent off until October 31 with code RWB20.
Tickets are available here and more information is at RWB.org.
Post sponsored by Royal Winnipeg Ballet.
Related Articles
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill
Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
With staging that evokes a Chicago jazz bar, the Dance Centre and PuSh Festival co-presentation draws on matrilineal fashion and line dancing
Program features Pite’s Frontier, a deep dive into the unknown, and Kylián’s 27’52”, an exploration of theoretical elements
In a riveting PuSh Festival and New Works copresentation, Belgium’s Cherish Menzo plays with repetition, chopped-and-screwed music, and flashing dental grillz
In DanceHouse and The Cultch co-presentation, the Hungarian company is full of flowing bodies and rippling fabric
In the deeply moving production, dancers embody the ancient tale of death and longing by tapping into their own experiences of tragedy
