The Sound of Music hits the Stanley, November 10 to December 24
“Do-Re-Mi,” “Climb Ev’ry Mountain,” “Edelweiss”: the hills are alive with the return of the popular musical to the Arts Club stage
Chelsea Rose, The Sound of Music. Photo by Emily Cooper
The Arts Club Theatre presents The Sound of Music from November 10 to December 24 at the Stanley Industrial Alliance Stage
After The Sound of Music, the film, opened in theatres in 1965, it proved so popular that it screened worldwide for nearly five years straight. Based on the true story of the singing von Trapp Family, who fled Austria when it was annexed by Germany during World War II, the original Broadway production premiered in 1959, going on to win five Tony Awards and run for more than 1,400 performances.
Now, the Arts Club Theatre is remounting the popular production after its first staging in 2019.
“This is one of the most beloved musicals of all time and one of my most favourite productions to work on,” Arts Club artistic director Ashlie Corcoran, who’s directing it for the second time, says in a release. “I am thrilled that we will be once again celebrating the festive season with this piece and am so excited to be working with this extraordinary team.”
Featuring music by Richard Rodgers and lyrics by Oscar Hammerstein II, The Sound of Music is based on the book by Howard Lindsay and Russel Crouse suggested by Maria Augusta Trapp’s “The Trapp Family Singers” and set in pre-WWII Austria. It tells the story of Maria (Chelsea Rose), a gifted singer who takes a position as a governess to the seven von Trapp children, only to fall in love with their widowed father, Captain von Trapp (Damien Atkins).
Joining the cast to perform live are Sasha Niechoda, Angus Kellett, and musical director Ken Cormier (keyboards); Henry Christian (trumpet); Jim Hopson (trombone/tumba); Martin Fisk (percussion/guitar); and Cameron Wilson (violin/mandolin).
For folks who just know they’re going to want to belt out Tony, Grammy, and Academy Award–winning tunes like “My Favorite Things”, “Do-Re-Mi”, “Climb Ev’ry Mountain”, and “Edelweiss,” sing-alongs take place on November 24 and December 10.
Talkback Tuesday is on November 29 at 7:30 pm; VocalEye performances are on December 4 at 2 pm and December 9 at 8 pm.
For tickets and more details, visit artsclub.com.
Related Articles
At The Cultch’s York Theatre, wonderfully weird characterizations meet gravity-defying feats in a raucously unpretentious banger that has “hit” written all over it
Whether you’re looking for a quick drink and snack, conversation, reflection, or people-watching, these airy meeting places hit their marks
Playwright Kate Besworth and director Ming Hudson team up for a contemporary adaptation of the classical Sophocles tragedy
Cheeky, DIY theatre event aimed to throw light on the stage scene’s unsung heroes—and ended up selling out
The veteran theatre artist grappled with big questions of good and evil, and took inspiration from genre films, for his visually stylized new adaptation
Elevated visual design and a strong, multitasking cast bring ample Newfoundland warmth to new Arts Club Theatre Company and Citadel Theatre coproduction
Ashley Wright has helmed it himself, but in Bard on the Beach’s new production, he plays Shakespeare’s dissolute knight under the capable direction of Rebecca Northan
London’s Three Legged Race Productions folds in influences from contemporary circus to cabaret in a raucously funny show that celebrates a ’90s-style birthday at The York Theatre
Boca del Lupo and ArtstageSAN’s show at the Vancouver International Children’s Festival is more of an immersive experience than a plot-driven play
Megan Milton’s Free Kittens and William Rubel’s Robin Redbreast in a Cage converge on close human relationships in an age of reality TV and AI
The Arts Club teams up with Edmonton’s Citadel Theatre for new local production of the international smash-hit musical
Two senior artists play young Newfoundland couple in Western Gold Theatre’s gentle staging
Stephen Drover directs his own haunting adaptation of Shakespeare’s tragedy, laced with tyranny and moral corruption
Boca del Lupo returns to the outdoor stage in partnership with Korean puppet masters for five-metre-tall spectacle
Event’s top works from across the country and the globe leap between juggling, circus, art installation, concert, and more
Laugh-out-loud, music-filled production sets Shakespeare’s play in a fictional soccer-obsessed Vancouver suburb
The Vancouver director says there’s something “extraordinarily intimate” about Nobel Prize laureate Peter Handke’s 1966 “anti-play”
Tomatoes Tried to Kill Me But Banjos Saved My Life documents the creator’s retirement, cancer diagnosis, and pursuit of a long-deferred passion for music
Sharply funny shows by standup comics Scarlet Chen and Megan Milton get theatrical about themes of immigration and mother-daughter relationships
Veteran actors Craig March and Dolores Drake play the young lovers in David French’s play, set in a Newfoundland outport 100 years ago
Arnaud Hoedt and Jérôme Piron look at linguistic absurdity and educational inequity in their hit shows La Convivialité and Kevin
Musical numbers consistently land with energy and flair in a production that boasts strong performances and choreography
Vancouver newcomer Celeste Nicholson heads a strong cast with enough verve to delight even those who are very familiar with the show.
CTORA Productions’ new version of the hit musical brings back nostalgic numbers like “Summer Nights”
Highlights include the premiere of a new musical by Amiel Gladstone and Veda Hille, the annual East Van Panto, and the return of Ronnie Burkett’s Daisy Theatre
Theatre artist’s innovative one-man show mixes memoir and history lesson, with live music by Syrian-born musician Emad Armoush
Long-time company writer and director Valerie Methot talks about her rich creative collaboration with young people who are struggling with the fallout of addiction to phones
