Powwow to playful, New Works' All Over the Map dances back to Granville Island, July 16
Kaili Che and TEMPO Dance & Visual Art, Wild Mint Arts, Amok Project, and ShoeStrings hit mixed program at the Picnic Pavilion
INTERWEAVE. Photo by Rodrigo Picazo
New Works presents All Over the Map at the Granville Island Picnic Pavilion at 1 and 3 pm on July 16
FOR ITS ANNUAL summer programming of free open-air music-and-dance performances on Granville Island, New Works has assembled a more diverse array than ever for All Over the Map.
In partnership with CMHC Granville Island, it’s presenting eight artists and groups who perform at the Picnic Pavilion (next to the bridge on Old Bridge Walk footpath) on two Sundays: July 16 and August 13.
The kickoff this Sunday brings together everything from whimsical contemporary stylings to Indigenous hoop dancing.
Kaili Che and TEMPO Dance & Visual Art tap their inner child with INTERWEAVE, a contemporary duet that finds Carla Alcántara and Kaili Che “painting” the space with vibrantly-hued clothing and plenty of joy and laughter. Drawing on childhood games, the piece explores play, family, and empathy.
Sharing the roster is ShoeStrings’ Love Swing, featuring tap dancer Alexandra Clancy and double bassist Noah Gotfrit, with backup from pianist Dean Thiessen and trombonist Brad Shigeta. The dancer and bassist’s music-dance “conversation” pulls from their own partnership and experiences to explore relationship dynamics—leaving ample space for improvisation.
Elsewhere, Amok Project’s Carol Mendes has created nowHERE with Brazilian dance artist Ysadora Dias. This excerpt from a larger work also features live music, exploring isolation, individuality, community, and the importance of belonging, especially as they pertain to the shared experiences of being culturally estranged immigrants.
And don’t miss Wild Mint Arts’ excerpts from a powwow show in development, complete with Hoop Dance, Fancy Shawl, and the Dog Soldier style.
Grab something to eat or drink from the market and head over for a shaded respite from the sun and a quick study in the different ways music can interact with movement.
Wild Mint Arts. Photo by Albert Woo
Related Articles
Star choreographic duo Bobbi Jene Smith and Or Schraiber return with a full-evening premiere that draws on the emotional layers in Philip Glass’s music—and in the company members themselves
At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today
Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour
On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture
Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers
Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more
In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage
Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast
Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems
Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers
At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill
Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple
