South African dance company Dada Masilo forced to cancel Vancouver performances
DanceHouse was to close its 2022-23 season with The Sacrifice
Dada Masilo, The Sacrifice.
SOUTH AFRICAN DANCE ARTIST Dada Masilo’s The Sacrifice is an intense piece for 10 dancers, three musicians, and a singer inspired by Stravinsky’s The Rite of Spring complete with original music. The Guardian described it as “deeply moving and astonishingly fresh”.
The Johannesburg-based choreographer-dancer’s work was to be performed in Vancouver May 5 and 6 at the Vancouver Playhouse to end DanceHouse’s current season on a high note. Unfortunately, the shows have been cancelled.
“We are extremely disappointed to announce that the Dada Masilo presentations on May 5 and 6 are cancelled,” DanceHouse states in a newsletter. “We have just learned that the company is unable to travel to Vancouver for reasons beyond our control. Please accept our sincerest apologies for any inconvenience this may cause you.”
Ticketholders will be contacted about the change directly.
Related Articles
At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today
Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour
On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture
Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers
Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more
In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage
Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast
Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems
Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers
At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
