CTORA Theatre brings the whimsy of Charlie and the Chocolate Factory to the stage
Director Mark Carter loves the story’s over-the-top characters
Sanders Whiting (left) and Quinlan McDonald. Photo by Canna Zhou
CTORA Theatre presents Charlie and the Chocolate Factory from October 11 to 27 at the Norman & Annette Rothstein Theatre
VANCOUVER DIRECTOR MARK Carter remembers reading Roald Dahl’s Charlie and the Chocolate Factory when he was about 10 or 11 years old. He vividly recalls the adventures of the titular character and the colourful individuals surrounding him.
Now, Carter is directing CTORA Theatre’s new production of the show at the Norman & Annette Rothstein Theatre from October 11 to 27. The work has reminded him of how much he enjoyed the book.
“I loved the story,” Carter says in a phone interview with Stir. “It made an impression on me. It’s got a bit of everything: it’s whimsical, there’s a little bit of magic, and it’s got some really over-the-top characters. There’s something for everyone. Willy Wonka is eccentric and you don’t quite know what he’s going to do next. It’s such a great story and it’s a lot of fun.”
To refresh the memories of people who, like Carter, may have read the book decades ago, Charlie and the Chocolate Factory revolves around Charlie Bucket, who comes from a poor family and lives with his parents and grandparents. One day, the owner of the town’s chocolate factory, Willy Wonka, announces that he has hidden golden tickets in five Wonka chocolate bars, with the prizes being a tour of the place and a lifetime supply of Wonka products.
Charlie scores one of the tickets, alongside gluttonous Augustus Gloop, gum-chewing Violet Beauregarde, spoiled Veruca Salt, and rambunctious Mike Teavee. Inside, the workers turn out to be cacao-loving Oompa-Loompas, who break out into songs that comment on the four bad kids’ poor manners; Charlie is deemed the only respectful one of the bunch, so Wonka decides to give him the factory.
The book was turned into a musical film with Gene Wilder in 1971 then into another movie in 2005 with Johnny Depp playing the role of Wonka.
Choreographed by Ken Overbey, the CTORA show has a cast of 21 and comes complete with classic songs like “Pure Imagination” and “The Candy Man”. Enhancing the experience is a live eight-piece orchestra featuring some of Vancouver’s top musicians, led by musical director Jeremy Hoffman on keyboard and assistant musical director Monica Sumulong Dumas on bass guitar. The ensemble also includes guitarist Christian Richardson, drummer Tyler Murray, violinist Kevin McDonnell, trumpeter Justin Kury, keyboardist Livia Cohen, and reed musician Jennifer Innanen.
“It’s for families but maybe not for really young ones as it does get a little dark and spooky,” Carter says. “But then it becomes more fun again so it’s very family-friendly. For older people who are familiar with the movies, they’ll get a nostalgic kick out of it, and for anyone experiencing Charlie and the Chocolate Factory for the first time, it will really be an adventure.. We have some backdrop illustrations that take inspiration from the original illustrations in the book. With the set, music, and costumes, it’s a real feast for the eyes and ears.” ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
The company has plans for a captivating array of shows, from high-profile hits like Stuart Little to the moving true-life tale of Jordan, A Hero’s Journey Home
Musical comedy by Dan Goggin stars five nuns on a money-making mission
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
