Odd Meridian Arts presents a mandala of movement and music in Piece Lily, July 2 to 7

At cultural space Morrow, Marisa Gold and Ziyian Kwan devise a dance duet to cellist Peggy Lee’s musical score

Ziyian Kwan (left) and Marisa Gold in *Piece Lily.* Photo by Emily Welz

Odd Meridian Arts presents Piece Lily at Morrow from July 2 to 7 at 7 pm

LIVE CELLO MUSIC, improvised movement, and spoken-word musings are on offer at Odd Meridian Arts as it unveils its latest creation, Piece Lily.

Two dancers, Marisa Gold and Odd Meridian Arts artistic director Ziyian Kwan, will engage in a duet guided and influenced by the peaceful energy of a mandala. Cellist Peggy Lee will play a rich musical score for the show, which is being presented with the support of creation and production assistant Allie Lang. Jessica Han will take care of the work’s calming lighting design.

Gold has been a co-creator and performer with Odd Meridian Arts since 2020. Last July, she choreographed a contemporary-dance duo with Juolin Lee (a fellow Odd Meridian Arts collaborator) for The Queen of Carthage, a modern-Baroque opera that had its world premiere at Early Music Vancouver’s Summer Festival.

Performances of Piece Lily will take place at Morrow, a cozy cultural space run by Odd Meridian Arts. Located at 910 Richards Street, the creative hub sets a serene stage for dancers and viewers alike. Sunlight shines through north-facing, tree-lined windows onto a main performance space, emphasizing the relaxing tone underscoring the work.

Odd Meridian Arts was originally known as Dumb Instrument Dance, a nonprofit founded in 2015 by Kwan. In early 2024, the arts society underwent a name change to better fit the decidedly interdisciplinary nature of its programming.

Marisa Gold (left) and Ziyian Kwan in *Piece Lily.* Photo by Emily Welz

Featured

Emily Lyth

Emily Lyth is a Vancouver-based writer and editor who graduated from Langara College’s Journalism program. Her decade of dance training and passion for all things food-related are the foundation of her love for telling arts, culture, and community stories.

Articles

Ziyian Kwan and Alvin Erasga Tolentino win top B.C. dance artist prizes

The Dance Centre announces Lola Award and Isadora Award for Vancouver choreographers

With FOR GLASS, Ballet BC dancers push and succumb to live string quartet’s rhythms

Star choreographic duo Bobbi Jene Smith and Or Schraiber return with a full-evening premiere that draws on the emotional layers in Philip Glass’s music—and in the company members themselves

In Enemy Lines, Mayumi Lashbrook unearths a history she was never told

At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today

High-energy show BENCHED comes to the Vancouver International Children's Festival, May 26 to 31

Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour

Wen Wei Wang rediscovers himself as a choreographer, with powerful meditations on life in Last Breath 最后的呼吸

On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture

Corporeal Imago's Drift makes its world premiere at The Dance Centre, May 21 to 23

Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers

Co.ERASGA presents Undivided Colours in honour of Asian Heritage Month, May 14 and 15

Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more

In Stephanie Lake Company’s Manifesto, thundering percussion meets dance

In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage

At the Firehall Arts Centre, Enemy Lines illuminates a historic injustice, May 6 to 9

Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War

The Dance Centre secures long-term site, with $6 million land purchase at Davie and Granville

With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain

At Ballet BC's UNITY, Bobbi Jene Smith and Or Schraiber deliver a world premiere, May 7 to 9

Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast

All-women ensemble Solidaridad Tango brings Tango Fantasia to the Shadbolt Centre, April 18

Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems

Belle Spirale Dance Projects stages two world premieres at Exhale, May 1 and 2

Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers

Dance review: Hamlet, Prince of Denmark captures complex tale through movement and design magic

At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet

DanceHouse 2026-27 season features U.K. star Wayne McGregor and the return of Crystal Pite’s Assembly Hall

Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India

Stephanie Lake Company's Manifesto unites dynamic movement and driving percussion in B.C. premiere, April 16 to 18

Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance

Hamlet, Prince of Denmark captures the inner turmoil of a man zeroed in on revenge

In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story

In Fall(se) Circ(us), dancers embrace cycles of frenzied work and relatable exhaustion

At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts

Renowned choreographer Noam Gagnon performs a deeply personal solo live-scored by Stefan Smulovitz, March 11 to 14

The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society

In Show Gone, Ame Henderson and Matija Ferlin question the nature of endings

The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years

Dance review: At Ballet BC's INFINITY, Jiří Kylián and Crystal Pite take viewers into strange, subconscious limbos

Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity

Little Room Productions premieres inaugural piece Fall(se) Circ(us), March 21

New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences

Arts Umbrella Dance Company hosts Tempus Fugit: A Midseason Performance, February 26 and 27

Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy

At Ballet BC’s INFINITY, Medhi Walerski pays tribute to two works that impacted his career

As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier

Dance community mourns Peter Bingham, father of contact dance in Vancouver

Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances

DanceHouse hosts the B.C. premiere of Ex Machina and Côté Danse's Hamlet, Prince of Denmark, March 18 to 21

With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage

Dance review: Flowing forms and abstract storytelling in Royal Winnipeg Ballet double bill

T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence

Hoop dance and Métis jigging meet as Beany John and Sophie Dow take the stage at Matriarchs Uprising

The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors

New Works hosts inaugural dance-focused Leadership in Practice Symposium, March 22

One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world

Royal Winnipeg Ballet’s T’əl: The Wild Man of the Woods braids Indigenous storytelling with classical dance

Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill