Pacific Theatre announces fall-only season before leaving historic venue in new year
Comedy with Charlie Demers and Jacob Samuel and a remount of Wakey, Wakey are some of the offerings onstage before renovations and a time of internal review in 2026
Craig Erickson in Wakey, Wakey. Photo by Jalen Saip
PACIFIC THEATRE HAS announced a scaled-back fall 2025 season that spans comedy, music, and a play, before it leaves its 30-year home in the historic Chalmers Heritage Building in the new year. The season includes a remount of Will Eno’s Wakey, Wakey and a concert by Larkk.
As reported by Stir in the article here, last month, Pacific Theatre announced its decision to leave its home of more than three decades at the end of December 2025. The building requires a major structural upgrade and has suffered extensive water damage. Pacific Theatre has also struggled to increase revenue amid operational conditions.
The limited fall season kicks off with The Comedy Weekend at PT with Charlie Demers and Jacob Samuel on September 12 and 13, with the duo returning November 14 and 15.
On September 29, Pacific Theatre and Red Clover present a screening of the award-winning residential-school documentary Sugarcane, with proceeds going to the Indian Residential School Survivors Society.
Starring Craig Erickson and directed by Pacific Theatre artistic director Kaitlin Williams, Wakey, Wakey sees a remount from October 15 to November 2.
On November 21, Larkk—the new solo project of Danielle McTaggart, lead vocalist of Dear Rouge—performs a concert in the intimate space.
And Christmas Presence, a holiday variety show hosted by Pacific Theatre founder Ron Reed, returns on December 12 and 13 and December 19 to 23.
For tickets and further information, visit pacifictheatre.org.
Following the closing of Pacific Theatre’s shortened 2025 season, the company will put all its programming on pause to focus on internal strategic planning for a sustainable operational model. It will seek feedback and support from donors, supporters, and audience members. The company will also explore options for a new home. ![]()
Janet Smith is founding partner and editorial director of Stir. She is a Webster Award–winning arts journalist who has spent more than three decades immersed in Vancouver’s performing arts, film, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
Playwright Ronit Rubinstein’s solo show delves into her relationship with her late father through objects and memories he left behind
Four-time Tony Award–winning rock musical takes audiences on a wild ride through themes of identity, heartbreak, and belonging
In new Electric Company Theatre play, premiering at the Downtown Eastside Heart of the City Festival, real grief over his sister mixes with fictional elements and age-old myth
The touring production returns to Vancouver after seven years, featuring a 14-metre rain curtain and giant treadmills powered by 28 car batteries
This time out, the Nunsense sisters produce a chaotic Christmas special for cable-access television
Willow Lewmos directs the darkly comedic solo show as part of the Downtown Eastside Heart of the City Festival
Immersive theatre experience arrives just in time for spooky season, featuring freaky performances and mischievous sewer rats
With plenty of laughter, improv-comedy veterans Naomi Snieckus and Matt Baram candidly explore loss and how we attach meaning to objects
Award-winning filmmaker discusses his mission to highlight the unmatched diversity of wild cats in India
Actor Steffanie Davis plays three roles in the Arts Club production, including the gleefully unhinged, bug-munching Renfield
Keely Rois O’Brien’s season opener at Gateway Theatre has a simple message: if you don’t know how to say it, say it with cake
Governor General Award–winning play about a father and daughter tells of loss and redemption, humanity, and survival
Riddled with language barriers and discrimination, the rice & beans theatre and Gokko Creative Society production grapples with the possibility of unity and acceptance
In a comedy by North Vancouver’s Peter Zednik, exes rekindle their connection, exploring what it means to come out of the closet at any age—and at any cost
Upintheair Theatre stages its latest installment, with What Lab, of a project that challenges local artists to respond to timely topics in science, nature, and astrophysics
A patchwork wall of TV screens, fun nods to found-footage horror, and other genre touches heighten allegorical messages of queer self-acceptance in Touchstone Theatre and Glitch Theatre show
At Anvil Theatre, Sasha Wilson’s play examines the story of accused killer and “folk villain” Lizzie Borden through drama, humour, and murder ballads
In this rollicking production, a chiseled hero must save the city from the scheming God of the No-Fun-Derworld
Maryth Gilroy and Karen Hamm direct Pulitzer Prize–winning playwright Donald Margulies’s drama at the Jericho Arts Centre
The two-hander starring real-life married couple Matt Baram and Naomi Snieckus takes a comedic look at the things we choose to keep and why
Rumble Theatre and ITSAZOO coproduction digs into Succession writer Lucy Prebble’s critically acclaimed play as it builds unease along with the dosage
Tony and Grammy Award–winning actor shares deeply personal, politically urgent, and darkly funny performance and conversation
Showcase of sci-fi and experimental theatre features performances by Jarin Schexnider, Plastik Theatriks, and more
At The Cultch, strong acting and a sharp script that’s packed with memorable lines give life to a play that’s hit an intergenerational nerve
Winner of the 2023 Pulitzer Prize, this quietly powerful play explores cultural displacement with warmth, humour, and piercing insight
Coproduction by Comédie-Française (Paris) and Les songes turbulents (Montréal) explores the passage of time in post-Victorian England
