Theatre Cares Vancouver comes to an end
The organization had been raising funds and awareness for those living with HIV/AIDS since 1991
Theatre Cares Vancouver.
Peter Huck with a tattoo of Theatre Cares Vancouver’s logo. Photo by David Cooper
THEATRE CARES VANCOUVER is closing its doors.
Theatre Cares Vancouver was an artist-driven, volunteer-based organization that united the spirit of Vancouver’s performing-arts community with its supporters to raise funds and awareness for HIV/AIDS relief and other worthy causes.
The organization had been raising funds and awareness for those living with HIV/AIDS and for vulnerable members of the community since 1991. Theatre Cares Vancouver averaged, over 33 years, to raise $25,000 per year to distribute to worthy charities. That’s roughly $825,000 raised by volunteers.
“It seems to have run its course,” says Diane Brown, who lead Theatre Cares. “Donations and volunteerism are way down, and I think sometimes these initiatives have a shelf life; it’s time for the next generation to transform it into something else.”
Brown says that Theatre Cares would not have been able to do its work without the generosity of theatre patrons and the support of local theatre organizations, most notably Bard on the Beach and the Arts Club Theatre Company.
Diane Brown.
Theatre Cares’s fundraising efforts have benefited several charities over the years, including the Coast Mental Health Foundation, Triage Emergency Services & Care Society, Camp Moomba, PEERS Vancouver, Rainbow Refugee, BC Persons With AIDS Society (later known as Positive Living BC), and AIDS Vancouver (now known as Ribbon Community Society), among others. The group’s last disbursement was to Rainbow Refugee on December 1.
“It provided some hope and relief to folks in need,” Brown says. “In the beginning, when the AIDS pandemic was raging and our performing-arts community was losing a lot of members, it was a way for us to take action and not feel powerless. Raising funds and awareness was something positive and proactive we could do.”
Theatre Cares also looked out for the health and well-being of Canadian artists by annually supporting the Actors Fund of Canada and the Performing Arts Lodge Vancouver. Its annual Theatre Cares Scholarship of $1,500 was designed to provide relief to promising emerging theatre artists in training who were struggling to continue their studies. Past recipients include Cameron Peal and Ashley Chartrand.
“We often participated in the Pride Parade,” Brown says. “One year, a bunch of us choreographed a big joyful dance number that involved umbrellas—in the middle of summer—and at the end of the dance we lined up and held our umbrellas out to the spectators in a way that they could see it spell out Theatre Cares. Folks loved it and cheered us on. It was, the whole Theatre Cares thing, an act of love.” ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
Gender-bending Arts Club production of Gordon Greenberg and Steve Rosen’s gothic comedy includes plenty of absurd humour and one perfectly cast vampire
Playwright Ronit Rubinstein’s solo show delves into her relationship with her late father through objects and memories he left behind
Four-time Tony Award–winning rock musical takes audiences on a wild ride through themes of identity, heartbreak, and belonging
In new Electric Company Theatre play, premiering at the Downtown Eastside Heart of the City Festival, real grief over his sister mixes with fictional elements and age-old myth
The touring production returns to Vancouver after seven years, featuring a 14-metre rain curtain and giant treadmills powered by 28 car batteries
This time out, the Nunsense sisters produce a chaotic Christmas special for cable-access television
Willow Lewmos directs the darkly comedic solo show as part of the Downtown Eastside Heart of the City Festival
Immersive theatre experience arrives just in time for spooky season, featuring freaky performances and mischievous sewer rats
With plenty of laughter, improv-comedy veterans Naomi Snieckus and Matt Baram candidly explore loss and how we attach meaning to objects
Award-winning filmmaker discusses his mission to highlight the unmatched diversity of wild cats in India
Actor Steffanie Davis plays three roles in the Arts Club production, including the gleefully unhinged, bug-munching Renfield
Keely Rois O’Brien’s season opener at Gateway Theatre has a simple message: if you don’t know how to say it, say it with cake
Governor General Award–winning play about a father and daughter tells of loss and redemption, humanity, and survival
Riddled with language barriers and discrimination, the rice & beans theatre and Gokko Creative Society production grapples with the possibility of unity and acceptance
In a comedy by North Vancouver’s Peter Zednik, exes rekindle their connection, exploring what it means to come out of the closet at any age—and at any cost
Upintheair Theatre stages its latest installment, with What Lab, of a project that challenges local artists to respond to timely topics in science, nature, and astrophysics
A patchwork wall of TV screens, fun nods to found-footage horror, and other genre touches heighten allegorical messages of queer self-acceptance in Touchstone Theatre and Glitch Theatre show
At Anvil Theatre, Sasha Wilson’s play examines the story of accused killer and “folk villain” Lizzie Borden through drama, humour, and murder ballads
In this rollicking production, a chiseled hero must save the city from the scheming God of the No-Fun-Derworld
Maryth Gilroy and Karen Hamm direct Pulitzer Prize–winning playwright Donald Margulies’s drama at the Jericho Arts Centre
The two-hander starring real-life married couple Matt Baram and Naomi Snieckus takes a comedic look at the things we choose to keep and why
Rumble Theatre and ITSAZOO coproduction digs into Succession writer Lucy Prebble’s critically acclaimed play as it builds unease along with the dosage
Tony and Grammy Award–winning actor shares deeply personal, politically urgent, and darkly funny performance and conversation
Showcase of sci-fi and experimental theatre features performances by Jarin Schexnider, Plastik Theatriks, and more
At The Cultch, strong acting and a sharp script that’s packed with memorable lines give life to a play that’s hit an intergenerational nerve
Winner of the 2023 Pulitzer Prize, this quietly powerful play explores cultural displacement with warmth, humour, and piercing insight
