Rat Academy, The Pigeon & The Dove among big winners at Vancouver Fringe awards
A stylized story of Alberta rodents was chosen best of the fest, while musical exploration of homelessness won Stir Social Impact Award
Batrabbit Productions’ Rat Academy.
Vancouver singer-songwriter and The Pigeon and the Dove cocreator Carolyn Mill accepting the award.
URBAN ANIMAL LIFE took the spotlight last night, as a physically comedic ode to Alberta rats and a soulful, song-filled look at pigeons and doves took top prize at the Vancouver Fringe Festival’s wrap party.
At the lively ceremony held at the semi-open-air Fringe Bar on Granville Island, hosted by David C. Jones, the Mump and Smoot-mentored Rat Academy won the coveted Best of the Fest spot. The show by Batrabbit Productions was inspired by Alberta’s infamous 1950s anti-rat propaganda.
Runners up included Brunch: A Comedy Show, Underbelly, muse: an experiment in storytelling and life drawing, and Peaches: The play!.
Elsewhere, Vancouver singer-songwriters Reid Jamieson and Carolyn Mill were on hand to accept the Stir Social Impact Award for The Pigeon & The Dove: A History of Hatred & Love. Chosen by Stir’s team of theatre critics, the two-hander was selected for shifting the way we think about the homelessness crisis—using the metaphor of two birds, one considered a nuisance, the other considered acceptable. “Much like the homeless and the housed, the pigeon and the dove are, in fact, the same damn bird. ‘They’ are ‘Us’,” as the program notes put it. The songwriters were inspired by the works of Buffy Sainte Marie and Dr. Gabor Maté. You can read Stir’s review here. Sponsored by Stir, the Social Impact Award honed in on productions with an impactful message on the world as it stands today—ones that touched on resonant political and cultural themes, leaving audiences walking away with new perspectives to support meaningful change.
Rounding out the prizes, Gravity Theatre’s Private Parts: The Secrets We Keep won the Audience Choice Award, and BadPuss Productions’ ParaNorma PI took home the Artistic Risk award.
Janet Smith is founding partner and editorial director of Stir. She is an award-winning arts journalist who has spent more than two decades immersed in Vancouver’s dance, screen, design, theatre, music, opera, and gallery scenes. She sits on the Vancouver Film Critics’ Circle.
Related Articles
At The Cultch, The Search Party play’s strong performances, dry wit, and inventive staging capture the disorientation of addiction and the stories we tell ourselves about it
Story follows the passionate affair between penniless playwright Will and beautiful young woman Viola de Lesseps
Cyborg teenagers struggle with the same fears about technology that their human counterparts do in this visually spare, idea-charged production by UBC Theatre
Based on an early Agatha Christie story, the play focuses on a woman’s impulsive marriage to a charming mystery man
Multifaceted theatremakers Munish Sharma and Gavan Cheema bring an eight-year-long project to completion by working beyond stage conventions
Actor Brian Markinson says Lloyd Suh’s script takes artistic liberties with the life of Benjamin Franklin
With warped sitcom rhythms, Caroline Bélisle’s new play brings together two old friends to contend with contemporary ambivalence about bringing children into the world
Eighty shows in all, as Italy’s Teatro Telaio sets up an ARCHIPELAGO installation, plus pow-wow, hip-hop, and massive puppets
Award-winning play by Susanna Fournier offers an unsettling, witty update of fairy-tale themes as old as Pinocchio and the Pied Piper
Provocative solo show follows a woman who’s focused on fixing the lack of diversity in the serial-killer space
In the Theatre Conspiracy production copresented by Touchstone Theatre, a South Asian man finds self-expression through dance
Director Mindy Parfitt finds inspiration with local implications in the darkness, wit, and honesty of Duncan Macmillan’s acclaimed play
In the endearing new Metro Theatre production, a five-sister team of performers creates an exceptionally strong and funny ensemble
Arts Club production centres a married couple that recounts the good, the bad, and the ugly of spending 50 years together
Care of Théâtre la Seizième, the work examines how female friendships must adapt to the pressure of raising a new life
Based on the true story that inspired Beauty and the Beast, play centres Catherine de Medici and the man who awakens her wild side
Next season includes high-camp spoof Dracula: A Comedy of Terrors, Tracey Power’s premiere The Elvis Christmas Comeback Special, and the newly named Lindsay Family Stage
On Our Feet staged reading captures the slow-burning suspense of the famed author’s psychological thriller
One-woman show draws on Marguerite Duras’s novel to tell the story of a French mother in 1930s Indochina
Tracey Power’s musical revue poses open-ended questions at the Firehall Arts Centre
In Hannah Moscovitch’s spare, blunt two-hander at The Cultch, tension lives not only in what is being said, but in how it is being said and who is saying it
The company has plans for a captivating array of shows, from high-profile hits like Stuart Little to the moving true-life tale of Jordan, A Hero’s Journey Home
Musical comedy by Dan Goggin stars five nuns on a money-making mission
Burlesque-infused biographical play tells of the legendary African-American performer’s wide-ranging accomplishments
Under director Jillian Keiley’s deft hands, the pacing stays airtight and the dry comedy never tips into full camp.
At The Cultch, removable limbs, retro TV shows, and absurd cabaret numbers about female madness frame a genuinely unsettling story of a grandmother’s institutionalization
The former head of Theatre, Music & Film at Arts Umbrella has worked across local stages and screens
At The Cultch’s Warrior Festival, award-winning two-hander presents a provocative scenario where a man tells a woman’s story
Production by Presentation House Theatre draws on Maurice Sendak’s beloved storybook
Dan Goggin’s popular production follows five nuns who must stage an emergency fundraiser after an unfortunate cooking accident
