Arts Umbrella names new Lindsay Mearns School of Dance following $2 million donation
Gift from Vancouver-based artist and philanthropist will further expand access to dance education
Arts Umbrella Dance Company. Photo by David Cooper
ARTS UMBRELLA HAS acknowledged a $2 million donation with the naming of the new Lindsay Mearns School of Dance.
Mearns is a Vancouver-based artist and philanthropist whose gift will be permanently endowed in the Arts Umbrella Foundation.
In 1994, Mearns and her family established the Dale Mearns Fund, which has provided annual scholarships to up-and-coming young artists for the past 30 years. The new donation will further expand access to arts education, regardless of students’ financial and socioeconomic backgrounds.
With the naming, all three schools of arts disciplines at Arts Umbrella have been titled through philanthropic gifts; there’s also the Audain School of Art & Design, named after Michael Audain, and the Robert M. Ledingham School of Theatre, Music & Film.
Arts Umbrella’s School of Dance is particularly known for its training in contemporary ballet, with its faculty of artists teaching a variety of styles. Under the leadership of artistic director Artemis Gordon, the demanding program is designed for dancers aged six to 22.
With locations in Vancouver and Surrey, Arts Umbrella delivers donor-funded programs at schools, community centres, neighbourhood houses, and healthcare facilities throughout Metro Vancouver and beyond. The non-profit centre provides accessible arts education to underserved communities, collaborating with 110 partner locations, including the Vancouver School Board, Surrey School District, BC Children’s Hospital, and Covenant House.
Arts Umbrella serves approximately 20,000 young people annually, with over 77 percent participating in programs at no cost. ![]()
Gail Johnson is cofounder of Stir. She is a Vancouver-based journalist who has earned local and national nominations and awards for her work. She is a certified Gladue Report writer via Indigenous Perspectives Society in partnership with Royal Roads University and is a member of a judging panel for top Vancouver restaurants.
Related Articles
At the Firehall Arts Centre, the Toronto-based choreographer reckons with the forced displacement of Japanese Canadians and the cycles of fear-based thinking that still echo today
Production by Denmark’s Uppercut Dance Theater features breathtaking physicality and inventive humour
On Belle Spirale Dance Projects’ Exhale program, the Vancouver artist creates his first piece since leaving Ballet Edmonton—complete with live vocals and a central metal sculpture
Compelling production features choreography by Gabrielle Martin and Jeremiah Hughes in collaboration with five performers
Showcase features performances by Sujit Vaidya, Toronto’s Dreamwalker Dance/Andrea Nann, and more
In this DanceHouse and Vancouver New Music copresentation, the Australian performers feed off the energy of nine drum kits on a stylized stage
Mayumi Lashbrook’s dance-theatre piece centres the forced removal of Japanese Canadians during the Second World War
With its lease coming up in 2029 on land owned by Scotiabank, the future of the dance hub had been uncertain
Batsheva Dance Company alumni draw on Gaga movement for the searingly intimate piece with a full-company cast
Celebration of sound and dance sets music from the Golden Age of tango alongside modern gems
Wen Wei Wang’s Last Breath and a new piece by Alexis Fletcher, Sylvain Senez, and Ariana Barr explore the virtuosity of established performers
At DanceHouse, Robert Lepage’s inventive visual touches and Côté Danse’s expressive contemporary choreography offer a surreal, boldly contemporary new take on narrative ballet
Montreal’s Compagnie Catherine Gaudet to kick off five-show lineup that brings in companies from as far away as Sweden and India
Bright, bold, and explosive Australian piece offers audiences an infectious sense of hope and exuberance
In a DanceHouse presentation, Guillaume Côté and Robert Lepage stage their tightly paced adaptation of Shakespeare’s story
At the Roundhouse, Little Room Productions’ inaugural piece draws on choreographer Isak Enquist’s lifelong experience in martial arts
The piece by Vision Impure, called being, comes to KW Studios courtesy of Kokoro Dance Theatre Society
The Dance Centre and Vancouver International Dance Festival coproduction concludes a triptych spanning over 15 years
Contemporary-art-like 27’52’”makes elaborate play with shadows and time, while Frontier reveals new narrative and thematic complexity
New Works copresents Isak Enquist's genre-defying fusion of martial arts and contemporary dance influences
Program features pieces by leading choreographers, including Anne Jung, Lukas Timulak, Rebecca Margolick, and Cyril Baldy
As a young dancer at Nederlands Dans Theater, the artistic director was in on the creation of both Jiří Kylián’s 27’52” and Crystal Pite’s Frontier
Based for decades at Western Front, long-time EDAM artistic director created more than 50 works and took part in hundreds of performances
With community partners Bard on the Beach Shakespeare Festival and Théâtre la Seizième, bold reinterpretation of the tragic play hits the stage
T’əl: The Wild Man of the Woods heralds an exciting new voice, while Carmina Burana strips the work down to its essence
The Dance Centre and O.Dela Arts present the piece that draws on the performers’ Indigenous ancestors
One-day gathering for artists, educators, and choreographers explores how leadership can be more responsive to the dance world
Rising Tla’amin choreographer Cameron sinkʷə Fraser-Monroe draws on a tale he heard growing up for a large-scale work that joins Carmina Burana on a double bill
Fun riffs on the classic include a moose-headed Bottom wearing buffalo plaid and an appearance by a royal couple
In this PuSh Fest, Music on Main, and Dance Centre premiere, humming songs, whispered words, and hypnotic movement bring a sense of serenity and connection to a chaotic world
